The highlight of the archival strand of the London Film Festival was undoubtedly recently rediscovered Iranian film The Chess Game of the Wind, which I saw at the online version of Il Cinema Ritrovato (though I haven’t posted about it here yet). However, there was also this silent programme of Australian director Paulette McDonagh’s surviving feature, alongside a fragment of her earlier Those Who Love (1925).
This surviving Australian silent film, directed by Paulette McDonagh and starring her sister Isabel (as “Marie Lorraine”), has a somewhat hoary old feel to it, given the advances being made in silent (and indeed sound cinema) at the time in other parts of the world. It’s a melodrama of criminals and cheats, but also a romance in which “Marie” falls for the son of an old enemy of her father’s, prompting all kinds of contorted plotting that I didn’t fully keep up with. Still, it’s jaunty good fun and a perfectly solid bit of early filmmaking from a nation not known for its cinema for quite a few decades yet.
Director/Writer Paulette McDonagh; Cinematographer Jack Fletcher; Starring Marie Lorraine [Isabel McDonagh], Arthur Greenaway, John Faulkner; Length 94 minutes.
Seen at home (BFI Player streaming), London, Monday 12 October 2020.