Lucky Grandma (aka 幸運的奶奶, 2019)

I was expecting a very slowburn arthouse indie film from this, as it was at last year’s London Film Festival, and I guess I never did read the reviews, but had a sense that people liked it. I wasn’t fully expecting its turn into genre fights, but the film holds it together rather well. It has recently been released to cinemas in NZ, and I don’t doubt it’ll be on home streaming elsewhere.


By all accounts, once the funding got approved this film was made pretty speedily, but it never looks anything less than stylish and polished. Tonally it seems to owe a lot to recent southeast Asian cinema, with a very steely and quiet gaze and an almost glacially deadpan comedy, but it all works really well even in the context of New York’s Chinatown where it’s set. Of course, it helps that Tsai Chin really anchors the film as the title character, introduced smoking a cigarette in the looming darkness of a fortune teller’s shop, as she learns she’s coming into some extraordinary luck. Of course things don’t quite go the way she (and we the audience) imagine, but there’s still plenty of great setpieces. Even when it took a turn into some decidedly genre territory — mafia thugs and shootouts and all that — the film didn’t manage to lose me, which I think is testament to the good will it builds up over the course of its running time, and that fantastic lead performance.

Lucky Grandma film posterCREDITS
Director Sasie Sealy; Writers Angela Cheng and Sealy; Cinematographer Eduardo Enrique Mayén; Starring Tsai Chin 周采芹, Hisao-Yuan Ha, Michael Tow, Yan Xi; Length 87 minutes.
Seen at Light House Cuba, Wellington, Monday 2 November 2020.

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