I’m very amenable to those critics calling this a masterpiece, but I fear that perhaps when I look at it, I find it difficult to perceive the depths that others do. It’s an assemblage of narrative fictional material — a Yugoslav woman (Milena Dravić) preaching free love who seduces a Russian ice-skating comrade hero (Ivica Vidović), only to lose her head — along with archival sources, an old Soviet propaganda film, and documentary elements dealing with the later life and research of controversial psychoanalyst Wilhelm Reich. Indeed, for much of the early portion it seems like a straight documentary, in so far as anything about Reich could be called straight. His theories deal with the orgasm and sexual potential, and other segments (like Nancy, the “Plaster Caster”, making a mould of the Screw editor’s penis, or the hippie, Tuli Kupferberg, who stalks through New York masturbating his toy rifle and menacing the bourgeoisie) sort of develop these themes in relation to capitalism and the West, while the propaganda footage suggests a misunderstood sexual dimension to Soviet Communism. It’s all pretty feverish and clearly you may love it, but while I certainly wasn’t bored, I guess I didn’t really connect at the level the film was aiming for.
FILM REVIEW: Criterion Collection
Director/Writer Dušan Makavejev; Cinematographers Aleksandar Petković and Pega Popović; Starring Milena Dravić, Ivica Vidović, Jagoda Kaloper, Tuli Kupferberg; Length 85 minutes.
Seen at home (DVD), Wellington, Saturday 16 January 2021 (and a long time before that on VHS at home, Wellington).