I am genuinely clueless as to why this short film co-directed by Yukio Mishima wasn’t just an extra to the Paul Schrader film. I can somewhat understand it having its own release, given it’s his only film as a director and he is a totemic and divisive cultural figure, even just as an author. However, his interest in nationalist ideology, including the formation of his own militia group, made him something of what would presumably today be called a cultural influencer (and I can’t be the only one who can imagine him complaining about being silenced if he were still around), but this all becomes very clear in Patriotism. It’s a silent work with an elegant filming style that self-consciously draws on Noh theatre, but my god is Mishima not fixated on the ritual honour of seppuku, which takes up the bulk of the running time (after a long text-based introduction). Perhaps in other hands this might have functioned as some kind of critique of Japanese militarism, and certainly it’s not unreasonable for there to be critiques about Japan and its treatment after World War II, but in Patriotism the militarism and death just feels fetishised, an extreme of gore that doesn’t feel like it adds much beyond illustrating Mishima’s own pathology.
FILM REVIEW: Criterion Collection
Directors Yukio Mishima 三島由紀夫 and Domoto Masaki 堂本正樹; Writer Mishima (based on his own short story); Cinematographer Kimio Watanabe 渡辺公夫; Starring Yukio Mishima 三島由紀夫, Yoshiko Tsuruoka 鶴岡淑子; Length 27 minutes.
Seen at home (YouTube), Wellington, Thursday 27 May 2021.