Criterion Sunday 440: Brand Upon the Brain! (2006)

Clearly Guy Maddin had been working up to a full-blown pastiche on silent films for quite a while at this point, and it’s a style that has largely defined a lot of his subsequent work: expressionist pools of darkness; rapid cross-cutting; fragments of frames as if rescued from decay; and bonkers storylines with incredulous, exclamative (!!) intertitles aplenty. To the extent that this has become his stock-in-trade, I didn’t even recall having seen this at the London Film Festival back when it came out, but reading up on it, I see that a number of its original presentations were accompanied by a live narrator in Japanese benshi style (whether this is how I saw it in 2007 is lost to my memory, but I don’t think so). In any case, it has an expressive beauty and it’s fun even if it still feels ultimately like a pastiche-y farce about weird parental manipulation of orphan kids, polymorphous sexuality and death — all of which is by way of saying, it feels very Canadian.

CRITERION EXTRAS:

  • Chief among the bonuses are two 2008 short films that Guy Maddin made to go with this feature film. One is “It’s My Mother’s Birthday Today”, which deals with one of the cast members, but in a typically Maddinesque impressionistic — er, actually expressionist, I guess? — kinda way. It’s a blur of images and feelings that tend towards the dark.
  • The other short film is “Footsteps”, and if you’re going to do DVD bonus featurettes about the making of your film, this is about as good as they can really be. It’s Guy Maddin showing how the sound effects were made, by the working collective of the title, but filmed as a Maddinesque short film — and, like anything by Maddin, I’m not exactly convinced of how truthful it is, either. However, it is fun and funny, and it gives a good sense of the rather absurdist work of a foley artist.
  • There’s also a deleted scene which runs for a few minutes but which was probably excised wisely as I don’t recall very much about it having seen it a mere hour or two ago, but it was intended to up the ‘queer’ factor of a film which already plays enough with gender identities.

FILM REVIEW: Criterion Collection
Director Guy Maddin; Writers Maddin and George Toles; Cinematographer Benjamin Kasulke; Starring Gretchen Krich, Maya Lawson, Isabella Rossellini; Length 99 minutes.

Seen at NFT, London, Saturday 20 October 2007 (and most recently on DVD at home, Wellington, Sunday 20 June 2021).

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