Criterion Sunday 441: The Small Back Room (aka Hour of Glory, 1949)

Powell and Pressburger made quite a few films, but few of them have the profile of their big Technicolor productions like The Red Shoes or The Life and Death of Colonel Blimp, among many others, and this black-and-white World War II-set drama about a bomb disposal expert (of sorts) is one of their lesser-remembered productions. It stars David Farrar, best known from his turn in another of their better-known films from a few years below, Black Narcissus. He’s playing Sammy Rice, an embittered alcoholic scientist working away in a secret department during the war, who has some good ideas he feels are being smothered by bureaucracy and mismanagement (the government minister is a particular dimwit, as ministers always seem to be), and his relationship with Kathleen Byron’s Susan isn’t exactly going swimmingly either. That’s the set-up for the emotional dramatic arcs, while in the background there’s a MacGuffin involving a new German bomb that’s been killing kids, but the film is mostly focused on those interpersonal dynamics, along with his grumpiness at work. It’s an interesting angle on the war, not as a stage for heroics, but as a grim series of ordeals that everyone struggles through as best they can, not always handling things very well. It also has an excellent noirish, even expressionist, sense of dim lighting, as high contrast shadows are thrown over many scenes. Maybe not the greatest of the Powell and Pressburger collabs, but certainly an intriguing one.


FILM REVIEW: Criterion Collection
Directors/Writers Michael Powell and Emeric Pressburger (based on the novel by Nigel Balchin); Cinematographer Christopher Challis; Starring David Farrar, Kathleen Byron, Jack Hawkins, Michael Gough, Cyril Cusack; Length 107 minutes.

Seen at a friend’s home (DVD), Wellington, Friday 25 June 2021.

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