Criterion Sunday 443: La Ronde (1950)

A typically elegant Max Ophüls film that luxuriates in that fin de siècle Viennese atmosphere, fully revels in it indeed as Anton Walbrook leads us as viewer through the various pairings, addressing the camera, changing costumes and acknowledging the artifice of what began as a play by strolling past film cameras and even at one point “censoring” a scene by snipping the celluloid. This could of course come across as altogether too arch, but it feels like a way of making the material — which concerns a series of sexual trysts between various members of Viennese society — somehow more refined than a simple recounting of the plot might suggest. Perhaps if anything it’s just a little too sophisticated for such frolics, but it holds itself so elegantly, with a gliding camera and the glow of the lights, that I can forgive it its longueurs.


FILM REVIEW: Criterion Collection
Director Max Ophüls; Writers Jacques Natanson and Ophüls (based on the play Reigen by Arthur Schnitzler); Cinematographer Christian Matras; Starring Anton Walbrook, Simone Signoret, Simone Simon, Serge Reggiani, Danielle Darrieux, Jean-Louis Barrault; Length 93 minutes.

Seen at home (DVD), Wellington, Wednesday 23 June 2021 (and earlier on VHS at the university library, Wellington, September 1999).

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