It feels a little as if historically this penultimate film by Max Ophüls has been somewhat undervalued due to its focus on jewellery, dancing, grandiose set design and its melodramatic storyline, but of course I think we can all rate it as one of his finest achievements now. Truly, his visual style reaches its apotheosis in his last few films, with the famed sequence of ballroom dances over time to convey the development of a romantic relationship just being one of the great sequences that Ophüls devises for the camera of Christian Matras. It also has an intricate plot construction, with the final movement achieving a certain emotional pitch that feels satisfying even as events unravel for all our major characters. It’s a glorious piece of work.
FILM REVIEW: Criterion Collection
Director Max Ophüls; Writers Marcel Achard, Ophüls and Annette Wademant (based on the novel by Louise Lévêque de Vilmorin); Cinematographer Christian Matras; Starring Danielle Darrieux, Charles Boyer, Vittorio De Sica; Length 100 minutes.
Seen at Te Papa, Wellington, Sunday 16 July 2000 (earlier on VHS at the university library, Wellington, May 2000, and most recently on DVD at home, Wellington, Wednesday 30 June 2021).