Criterion Sunday 473: にっぽん昆虫記 Nippon Konchuki (The Insect Woman, 1963)

I do feel like there was a lot going on in this film that I wasn’t taking in. Partly that’s just the way it tells its story, in little chunks dispersed through time, constantly shifting forward a year or so, constantly moving location, never really settling, like its central character. She is buffeted and moved around as much as Japan is over the course of the time period (from her birth in 1918 to roughly the film’s present), as Japan moves into and out of war, its economy changes, there are changes to social structures, but still this woman (and by extension women generally within society) seemed to receive fairly short shrift. I suppose another key factor is that she’s born poor and must seize whatever opportunity she can, whether prostitution or other unfulfilling labour. It’s far from a rosy picture, but it’s a Japanese one, a story of adversity and struggle for little reward.


FILM REVIEW: Criterion Collection
Director Shohei Imamura 今村昌平; Writers Keiji Hasebe 長谷部慶次 and Imamura; Cinematographer Shinsaku Himeda 姫田真佐久; Starring Sachiko Hidari 左幸子, Jitsuko Yoshimura 吉村実子; Length 123 minutes.

Seen at a friend’s home (DVD), Wellington, Friday 24 September 2021.

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