I think the way you feel about this film probably has a lot to do with how you feel about Godard overall. His can be a very frustrating body of work to follow, and even at his most accessible, back in the 1960s, by the end of the decade he was starting to get abstruse and political in ways that weren’t always friendly to audiences watching. However, for my money this is the film where he balances those two opposing tensions best, being both pretentious in the way his whispered narration hints at various topics around capitalism, alienation of labour and the modern city, while also presenting an identifiable character whose life we can be pulled along by. It’s pretty abstract at times, but there’s beauty as well as b0llocks in that abstractness and if it seems like an impressionistic grab bag of ideas, it’s still for me pretty compelling, a film that doesn’t divulge all its mystery but holds back something for repeat viewings.
FILM REVIEW: Criterion Collection
Director/Writer Jean-Luc Godard (based on an article by Catherine Vimenet); Cinematographer Raoul Coutard; Starring Marina Vlady; Length 87 minutes.
Seen at home (DVD), Wellington, Saturday 27 November 2021 (and earlier on VHS at the university library, Wellington, March 1999).