Criterion Sunday 537: Ansiktet (The Magician, 1958)

I know this will come as a great surprise to all adherents of the cinema of Ingmar Bergman, but this is a film about faith, about the failures and disappointments of organised religion but also about the supernatural, using a Christ-like central figure to channel doubts about the divine. Added to this, it is, as is perhaps rather more underappreciated when it comes to Bergman, essentially a comedy, albeit one with a body count by the end, though everyone just seems to shrug that off (but maybe that’s more a sign of the times). No this is in many respects a bawdy, silly romp but with added occultism (and a touch of horror, too), as Max von Sydow’s apparently mute mesmerist Albert Vogler travels around towns with his little magical sideshow. But… is there more to his powers? The scepticism of one small town he enters, particularly of Gunnar Björnstrand’s physician Vergerus, open up these questions, to which von Sydow’s baleful eyes do a lot of answering. It’s pretty good, made during Bergman’s imperial (and rather more comedic) phase, well worth watching especially if you think it’ll be too dour.


FILM REVIEW: Criterion Collection
Director/Writer Ingmar Bergman; Cinematographer Gunnar Fischer; Starring Max von Sydow, Gunnar Björnstrand, Ingrid Thulin, Naima Wifstrand, Bengt Ekerot, Bibi Andersson; Length 101 minutes.

Seen at the Embassy, Wellington, Monday 18 July 2022.

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