Fire Island (2022)

Not all the best new films are released to cinemas, especially not if it’s screening on Disney+ because they really don’t like to get their films onto big screens anymore, which is a real shame because there’s no reason why this comedic retelling of Pride and Prejudice shouldn’t be a wider hit (though to be fair it’s not soft-pedalling the gay comedy here like similar 90s films might have done).


I feel like we had that great era of classic texts being revamped — and indeed, there’s even a brief throwaway reference to Clueless (1995) at one point in this film — and why not, because at this point it’s those films I’m pegging any remakes to rather than the original texts. But if Emma. (2020) and its ilk have been trying to take the classics back to their period settings, Fire Island proves that there’s still a lot of value in finding contemporary resonances. Imagining the Bennet sisters as a ‘family’ of gay men on a final summer holiday to the titular destination of their hedonistic youth turns out to be a pretty great twist, and productive too. There’s all the finely-nuanced character work drawn from the original with a wealth of sly references to modern culture and socialising added in, but if this were all just a studied ‘spot the reference’ competition it would quickly become boring. Luckily star/writer Joel Kim Booster and his co-lead Bowen Yang really bring the pathos along with the jokes. Yang, for all his other memorable turns, is still best known to me for being a breakout star on recent seasons of Saturday Night Live but here, fabulously, his level of party-killer/boring dorky dude is set via the detail of his recapping memorable SNL skits for people who couldn’t really care less. And while the rest of the cast are largely unknown to me, I look forward to all of them guiding the future of comedy, because there’s scarcely a dull performance amongst the group.

Fire Island (2022)CREDITS
Director Andrew Ahn; Writer Joel Kim Booster 조엘 킴 부스터; Cinematographer Felipe Vara de Rey; Starring Joel Kim Booster, Bowen Yang 楊伯文, Conrad Ricamora, James Scully, Margaret Cho 조모란, Matt Rogers; Length 105 minutes.
Seen at home (Disney+ streaming), Wellington, Friday 1 July 2021.

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