I can only assume there’s an element of nostalgia to the way people view this film. It’s good fun, for sure, and perhaps setting it against much of what passed for mainstream entertainment in the 1980s is enough to rate it highly. I can respect that, but this feels like a messy film. It’s certainly a film about messy people living their lives, and that’s going to get messy, but just structurally there are plenty of longueurs where the film feels aimless, the way Charlie is trying to put his life together, or Audrey/Lulu is trying to figure out her identity. All I know is that Ray Liotta adds a necessary element of danger to a story that could easily get bogged down in new wave 80s quirkiness, like its angular soundtrack (which is nevertheless pretty solid). There’s a sense in which these characters feel like a throwback, and Melanie Griffith is somehow both iconic — a manic pixie dream girl avant la lettre — and deserves a better written character, but she knows exactly how to pitch herself against Jeff Daniels’s rather dull NYC corporate salary man. It’s a bold, colourful film brimming with ideas, not all of which work, but I’m glad Demme found an outlet for them.
FILM REVIEW: Criterion Collection
Director Jonathan Demme; Writer E. Max Frye; Cinematographer Tak Fujimoto; Starring Melanie Griffith, Jeff Daniels, Ray Liotta; Length 113 minutes.
Seen at home (Blu-ray), Wellington, Wednesday 24 August 2022.