Following up the reviews of my favourite films of 2022 (full list here) and this post falls into two themes already identified: (1) unexpected pleasures; (2) Colin Farrell as a fine actor. I would not have imagined the latter 20 years ago when he was starting out as a fairly generic pretty dude in big budget films, and the former is the case for a lot of films on my list this year. Most years, they’re unexpected because they are directors or projects unknown to me. However, this one, just about the last film I went to see in 2022, is by a director I know and have not liked the films of, plus with the general Oirishness of the enterprise (deedly-dee music, whimsical religious irreverance, and cute animal friends), I was primed to dislike it intensely. But I didn’t.
This makes for an odd note to end a year of film watching at the cinema, but it’s not a bad film by any means. I’ve often been a bit suspicious of McDonagh’s cinema, and haven’t liked most of the stuff that people have been big fans of, but this hits a very honest note in dealing with some pretty deplorable behaviour in a way that makes it clear what’s gone wrong. Colm (Brendan Gleeson) just wants to be left alone to work on his fiddle music in silence without the tiresome chatter of his buddy Padraic (Colin Farrell), a nice yet dull local cow herder; the film throws us straight into Colm’s decision, but it’s easy to take on trust how this longstanding friendship went by in a haze of stout down the local pub. The film captures their interactions, and those of the local characters, by focusing on the simmering tensions of rural life, and though it does ratchet things up a bit towards the end, it’s a commentary on people getting far too mired in their ideals to notice what it’s doing to them as people. Thus, there’s a sort of bleakness built in there — the confrontation with a person’s life and the worth they derive from it at the end — but the film works hard to ensure that it keeps us just teetering on this side of that particular abyss very ably. There’s a bleakness of course, that goes with the 1920s civil war setting, and the craggy glowering landscape, but it’s a bleakness primarily expressed by the way the characters end up, making this a sort of parable about paying attention to what matters when the world is falling apart (a parable for our times).
Director/Writer Martin McDonagh; Cinematographer Ben Davis; Starring Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan; Length 114 minutes.
Seen at Light House Cuba, Wellington, Saturday 31 December 2022.