The full list of my favourite films of 2022 is here but I’m posting fuller reviews of my favourites. I recently covered Lena Dunham’s breakthrough feature film Tiny Furniture in my Criterion Sunday supplement (which led to her getting the Girls TV show), and in some ways she still struggles as an artist with growing up. Hence we get this feature in which she really throws herself into childhood, but with a middle ages twist, and it’s rather sweet really: almost brutal when it needs to be, but never really getting bogged down in the filth, at least not too much.
Lena Dunham directed (and wrote and produced) this adaptation of a young adult novel, but she isn’t in it at all, which is something worth pointing out to the sadly numerous anti-fans of hers. And though it may seem quite different from artsy studenty metropolitan lives, perhaps its mediæval setting isn’t so far removed from that spirit of creative jouissance she usually tries to cultivate. It’s certainly not far from the darker and more depressive concerns because for all its lightness of touch, quirky colour and spirited performances, there’s an underlying grimness to life itself which haunts the film. Of course the key is that for the most part the characters don’t dwell on this (perhaps because it’s something they can never escape), but it adds something grounding to what could otherwise come across as altogether too twee. There are memorable turns from all kinds of supporting actors, not least Andrew Scott (unsurprisingly) as Birdy’s father, or Paul Kaye as “Shaggy Beard” (some kind of Yorkshire nouveau riche), as well as from Bella Ramsey in the lead role who gets across her childish energy as she is thrust into an altogether more adult world (or rather, perhaps there is no such distinction; certainly there was no concept of being a teenager, and that’s part of what the film gets across well: you’re a child until you’re not).
Director/Writer Lena Dunham (based on the novel by Karen Cushman); Cinematographer Laurie Rose; Starring Bella Ramsey, Andrew Scott, Billie Piper, Lesley Sharp, Joe Alwyn, Sophie Okonedo; Length 108 minutes.
Seen at home (Amazon streaming), Wellington, Thursday 20 October 2022.