I like watching films from around the world but I thought I might start a regular feature of working rather more methodically through all the world’s countries. Perhaps in time I shall make it to smaller subdivisions, but let’s start big. I had thought I might work through them from largest to smallest, but I don’t want to put all the challenge of finding films from obscure nations at the end of this project, so I’m going more or less alphabetically, starting with Afghanistan. I’ll provide a small potted summary of (let’s face it) the Wikipedia page in each entry.
Islamic Republic of Afghanistan افغانستان
population 32,226,000 | capital Kabul (4.3m) (کابل) | largest cities Kabul, Kandahar (614k), Herat (556k), Mazar-i-Sharif (469k), Kunduz (357k) | area 652,230 km2 | religion Islam (99.7%) | official languages Dari (دری) and Pashto (پښتو) | major ethnicities Pashtun (47%) and Tajik (27%) | currency Afghani (Af/Afs) [AFN] | internet .af
A mountainous country located on the historic Silk Road, connecting it to major trade routes. Its name historically means “land of the Pashtuns” although it has a wider modern application, and though populated since prehistoric times, politically it was established in the 18th century by the Hotak dynasty and the Durrani Empire. The British, of course, made their influence felt in the following century and fought three Anglo-Afghan Wars, with independence officially declared on 19 August 1919. It was a kingdom until a coup in 1978 installed a President as the head of a democracy. In recent times, fundamentalist Taliban forces took control in the late-1990s, but were pulled into regional conflict following the September 11 attacks, which led to the toppling of this regime and the reinstalment of democracy.
Cinema first came only to the royal court in Afghanistan and it wasn’t until 1923 that the first film was publicly screened. The first Afghan film production was in 1946, and regular production didn’t start until the late-1960s, with training from the Soviets. The Taliban cracked down on cinema upon coming to power in 1996, and film production didn’t begin again until 2002. The NZ documentary A Flickering Truth (2015) was made about the Afghan film archives, while Motley’s Law (2015) is about an American lawyer working in the country. An interesting recent film set in the 1980s is the drama/musical The Orphanage (2019).
سگهای ولگرد Sag-haye velgard (Stray Dogs, 2004)
In the 2000s, the Makhmalbaf family really seemed to have a stranglehold on portrayals of post-Taliban Afghanistan, and this film by Marzieh (Mohsen Makhmalbaf’s wife) joins those of her daughters Samira and Hana in depicting some of the turmoil and poverty of the country in this era. It uses neorealist tropes in a very knowing way, even using footage from Bicycle Thieves (1948) as a set-up for the denouement, as well as hooking into a venerable Iranian tradition of films using child protagonists (the girl Gol-Ghotai and the boy Zahed) as a window into a harsh and difficult world. Even a cute dog only sharpens the sense of desperation, and the two kids first try to get the girl’s mother out of jail and then try to get themselves thrown into jail with her. If it sounds tearjerking, it’s never quite played that way, as everyone is just making an effort to get on with living.
Director/Writer Marzieh Meshkini مرضیه مشکینی; Cinematographers Ebrahim Ghafori ابراهیم غفوری and Maysam Makhmalbaf میثم مخملباف; Starring Gol-Ghotai گل غتی, Zahed زاهد; Length 93 minutes.
Seen at home (DVD), London, Tuesday 24 April 2018.