Films by Women

Below is a list of all the films directed by women that I’ve seen since I started this blog, with a rating and links to reviews where they exist, ordered by country and then alphabetically. (For all published reviews and my ratings system, see Reviews by Year. For a list of all the films directed by women I’ve ever seen, vaguely ranked, go to my list on Letterboxd.)

I have also started a regular weekly focus on women filmmakers with my Women Filmmakers’ Wednesday series, which hopefully I will actually write something for and not allow to lapse, so follow that link to find out more.

I wanted to add an extra page for films directed by women not because the world needs another cishet white guy to be giving his opinion (hello!), but more because of the way that women still struggle for an equal footing with male directors within the film industry in all parts of the world and it’s worth highlighting and giving greater voice to their films. However, there are obviously other ways that women can contribute to filmmaking, and I have tags for films written by women and photographed by women, though creative input can come in many different forms and particularly also from producers, editors and actors in this most collaborative of industries.

NB Films marked with * are co-productions and are listed more than once.


Afghanistan

Laila at the Bridge (Elizabeth Mirzaei/et al., 2018) *
Lezate divanegi (Joy of Madness) (Hana Makhmalbaf, 2004) *
Motley’s Law (Nicole N. Horanyi, 2015) *
 Sag-haye velgard (Stray Dogs) (Marzieh Meshkini, 2004) *


Albania

 Battles (Isabelle Tollenaere, 2015) *


Algeria

 Le Fort des fous (Narimane Mani, 2017) *
Inch’Allah dimanche (aka Inch’Allah Sunday) (Yamina Benguigui, 2001) *


Argentina

Mi amiga del parque (My Friend from the Park) (Ana Katz, 2015) *
Muerte en Buenos Aires (Death in Buenos Aires) (Natalia Meta, 2014)
La mujer sin cabeza (The Headless Woman) (Lucrecia Martel, 2008) *
La niña santa (The Holy Girl) (Lucrecia Martel, 2004) *
Orione (Toia Bonino, 2017)
 Tarde para morir joven (Too Late to Die Young) (Dominga Sotomayor, 2018) *
 XXY (Lucía Puenzo, 2007)
Zama (Lucrecia Martel, 2017) *


Australia

52 Tuesdays (Sophie Hyde, 2013)
Another Country (Molly Reynolds, 2015)
The Babadook (Jennifer Kent, 2014)
beDevil (Tracey Moffatt, 1993)
 Celia (Ann Turner, 1989)
The Dressmaker (Jocelyn Moorhouse, 2015)
Hannah Gadsby: Nanette (Madeleine Perry/et al., 2018)
 Island of the Hungry Ghosts (Gabrielle Brady, 2008) *
I Used to Be Normal: A Boyband Fangirl Story 
(Jessica Leski, 2018) *
The Last Days of Chez Nous (Gillian Armstrong, 1992)
Lore (Cate Shortland, 2012) *
Proof (Jocelyn Moorhouse, 1991)
Sekala Niskala (The Seen and Unseen) (Kamila Andini, 2017) *
Sherpa (Jennifer Peedom, 2015) *
Somersault (Cate Shortland, 2004)
Two Mothers (aka Adoration aka Adore aka Perfect Mothers) (Anne Fontaine, 2013) *
The Turning (Claire McCarthy/Ashlee Page/Marieka Walsh/Mia Wasikowska/et al., 2013)


Austria

Amour Fou (Jessica Hausner, 2014) *
Der Andständige (The Decent One) (Vanessa Lapa, 2014) *
 L’animale (Katharine Mückstein, 2018)
Die Geträumten (The Dreamed Ones) (Ruth Beckermann, 2016)
Grbavica (Esma’s Secret aka Grbavica: The Land of My Dreams) (Jasmila Žbanić, 2006)*
Hotel (Jessica Hausner, 2004)
 Joy (Sudabeh Mortezai, 2018)
Looking for Oum Kulthum (Shirin Neshat/et al., 2017) *
Lovely Rita (Jessica Hausner, 2001) *
Mein Stern (Be My Star) (Valeska Grisebach, 2001) *
 Menschenfrauen (Valie Export, 1980) *
Toni Erdmann (Maren Ade, 2016) *
 Untitled (Monika Willi/et al., 2017)
 Western (Valeska Grisebach, 2017) *
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *


Barbados

 A Caribbean Dream (Shakirah Bourne, 2016) *


Belgium

 Un amour impossible (An Impossible Love) (Catherine Corsini, 2018) *
Les Années 80 (The Eighties) (Chantal Akerman, 1983) *
À peine j’ouvre les yeux (As I Open My Eyes) (Leyla Bouzid, 2015) *
Aux frontières (On Borders) (Danielle Arbid, 2002) *
Baden Baden (Rachel Lang, 2016) *
 Battles (Isabelle Tollenaere, 2015) *
Un beau soleil intérieur (Let the Sun Shine In) (Claire Denis, 2017) *
La Captive (The Captive) (Chantal Akerman, 2000) *
Demain on déménage (Tomorrow We Move) (Chantal Akerman, 2004) *
D’est (aka From the East) (Chantal Akerman, 1993) *
Un divan à New York (A Couch in New York) (Chantal Akerman, 1996) *
L’Étrange couleur des larmes de ton corps (The Strange Colour of Your Body’s Tears) (Hélène Cattet/et al., 2013) *
Evolution (Lucile Hadžihalilović, 2015) *
Golden Eighties (aka Window Shopping) (Chantal Akerman, 1986) *
Grave (Raw) (Julia Ducournau, 2016) *
Home (Ursula Meier, 2008) *
Hôtel Monterey (Chantal Akerman, 1972) *
I Don’t Belong Anywhere: Le Cinéma de Chantal Akerman (I Don’t Belong Anywhere: The Cinema of Chantal Akerman) (Marianne Lambert, 2015)
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975) *
Jeune femme (Montparnasse Bienvenüe) (Léonor Serraille, 2017) *
Là-bas (aka Down There) (Chantal Akerman, 2006) *
La Belle at the Movies (Cecilia Zoppelletto, 2015) *
Maryland (aka Disorder) (Alice Winocour, 2015) *
News from Home (Chantal Akerman, 1977) *
No Home Movie (Chantal Akerman, 2015) *
Ovoce stromů rajských jíme (Fruit of Paradise) (Vĕra Chytilová, 1970) *
Patience, patience, t’iras au paradis! (Patience, Patience, You’ll Go to Paradise!) (Hadja Lahbib, 2015)
Réparer les vivants (Heal the Living) (Katell Quillévéré, 2016) *
Sama (aka The Trace) (Néjia Ben Mabrouk, 1988) *
Seule avec la guerre (Alone with War) (Danielle Arbid, 2000) [medium-length] *
Sud (South) (Chantal Akerman, 1999) *
Tous les chats sont gris (All Cats Are Grey) (Savina Dellicour, 2014)
Toute une nuit (aka A Whole Night) (Chantal Akerman, 1982) *


Bosnia and Herzegovina

Grbavica (Esma’s Secret aka Grbavica: The Land of My Dreams) (Jasmila Žbanić, 2006)*
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *


Brazil

 As boas maneiras (Good Manners) (Juliana Rojas/et al., 2017) *
Baronesa (Juliana Antunes, 2017)
 Chega se saudade (The Ballroom) (Laís Bodanzky, 2007)
Cidade de Deus (City of God) (Kátia Lund/et al., 2002) *
Mãe só há uma (Don’t Call Me Son) (Anna Muylaert, 2016)
Marias (Joana Mariani/Leticia Giffoni, 2016) *
Que horas ela volta? (The Second Mother) (Anna Muylaert, 2015)
 Tarde para morir joven (Too Late to Die Young) (Dominga Sotomayor, 2018) *
Zama (Lucrecia Martel, 2017) *


Bulgaria

Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
 Touch Me Not (Adina Pintilie, 2018) *
Urok (The Lesson) (Kristina Grozeva/et al., 2014) *
 Western (Valeska Grisebach, 2017) *


Burkina Faso

La Nuit de la vérité (The Night of Truth) (Fanta Régina Nacro, 2004) *
 Ouaga Girls (Theresa Traoré Dahlberg, 2017) *
 Zin’naariya! (The Wedding Ring) (Rahmatou Keïta, 2016) *


Cameroon

 Chocolat (Claire Denis, 1988) *
Sisters in Law (Kim Longinotto/Florence Ayisi, 2005) *


Canada

The Apology (Tiffany Hsiung, 2016)
Bad Rap (Salima Koroma, 2016) *
The Bastard Sings the Sweetest Song (Christy Garland, 2012) *
The Breadwinner (Nora Twomey, 2017) *
The Caveman’s Valentine (Kasi Lemmons, 2001) *
Despite the Falling Snow (Shamim Sarif, 2016) *
 Double Happiness (Mina Shum, 1994)
Hedy Lamarr: Secrets of a Hollywood Star (Barbara Obermaier/et al., 2006) *
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
Indie Game: The Movie (Lisanne Pajot/et al., 2012)
Laila at the Bridge (Elizabeth Mirzaei/et al., 2018) *
 Long Life, Happiness and Prosperity (Mina Shum, 2002)
Lost and Delirious (Léa Pool, 2001)
 Maison du bonheur (Sofia Bohdanowicz, 2017)
 Mañana a esta hora (This Time Tomorrow) (Lina Rodriguez, 2016) *
 Meditation Park (Mina Shum, 2017)
Morvern Callar (Lynne Ramsay, 2002) *
My Life Without Me (Isabel Coixet, 2003) *
Pays (Boundaries) (Chloé Robichaud, 2016)
 Señoritas (Lina Rodriguez, 2013) *
Speed Sisters (Amber Fares, 2015) *
Star Men (Alison Rose, 2015) *
Stories We Tell (Sarah Polley, 2012)
Take This Waltz (Sarah Polley, 2011) *
Things We Lost in the Fire (Susanne Bier, 2007) *
Toute une nuit (aka A Whole Night) (Chantal Akerman, 1982) *
Werewolf (Ashley McKenzie, 2016)
Window Horses: The Poetic Persian Epiphany of Rosie Ming (Ann Marie Fleming, 2016)


Chile

The 33 (aka Los 33) (Patricia Riggen, 2015) *
Allende, mi abuelo Allende (Beyond My Grandfather Allende) (Marcia Tambutti Allende, 2015) *
 Casa Roshell (Camila José Donoso, 2017) *
 De jueves a domingo (Thursday Till Sunday) (Dominga Sotomayor, 2012) *
El pacto de Adriana (Adriana’s Pact) (Lissette Orozco, 2017)
 Tarde para morir joven (Too Late to Die Young) (Dominga Sotomayor, 2018) *


China

28 sui wei chengnian (Suddenly Seventeen) (Zhang Mo, 2016)
Beijing yushang Xiyatu zhi bu er qingshu (Finding Mr Right 2 aka Book of Love aka Beijing Meets Seattle II: Book of Love) (Xiaolu Xue, 2016) *
 Chu Lu (A Way Out) (Qiong Zheng, 2016) *
Complicit (Heather White/Lynn Zhang, 2017) *
 Five Men and a Caravaggio (Xiaolu Guo, 2018) *
Haishang Fucheng (Dead Pigs) (Cathy Yan, 2018) *
Hooligan Sparrow (Nanfu Wang, 2016) *
Jia nian hua (Angels Wear White) (Vivian Qu, 2017)
Jintian de yu zenme yang? (How Is Your Fish Today?) (Xiaolu Guo, 2006) *
Meng ying tong nian (Electric Shadows) (Jiang Xiao, 2004)
Pingguo (Lost in Beijing) (Li Yu, 2007)
San cheng ji (A Tale of Three Cities) (Mabel Cheung, 2015)
Yi ju ding yi wan ju (Someone to Talk To) (Yulin Liu, 2016)
Zhi wo men zhong jiang shi qu de qing chun (So Young) (Wei Zhao, 1980)
Zhongguo guniang (She, a Chinese) (Xiaolu Guo, 2009) *


Colombia

 Mañana a esta hora (This Time Tomorrow) (Lina Rodriguez, 2016) *
 Señoritas (Lina Rodriguez, 2013) *
The 33 (aka Los 33) (Patricia Riggen, 2015) *


Congo

La Belle at the Movies (Cecilia Zoppelletto, 2015) *


Costa Rica

A Small Section of the World (Lesley Chilcott, 2014) *
Viaje (Paz Fábrega, 2015)


Croatia

Grbavica (Esma’s Secret aka Grbavica: The Land of My Dreams) (Jasmila Žbanić, 2006)*


Cuba

Az én XX. századom (My Twentieth Century) (Ildikó Enyedi, 1989) *
De cierta manera (One Way or Another) (Sara Gómez, 1978)
Marias (Joana Mariani/Leticia Giffoni, 2016) *
Una noche (Lucy Mulloy, 2012) *


Czechoslovakia

O něčem jiném (Something Different) (Vĕra Chytilová, 1963)
Ovoce stromů rajských jíme (Fruit of Paradise) (Vĕra Chytilová, 1970) *
Pytel blech (A Bagful of Fleas) (Vĕra Chytilová, 1962) [medium-length]


Czech Republic

 Touch Me Not (Adina Pintilie, 2018) *
A United Kingdom (Amma Asante, 2016) *


Denmark

The Bastard Sings the Sweetest Song (Christy Garland, 2012) *
Democrats (Camilla Nielsson, 2014) *
En chance til (A Second Chance) (Susanne Bier, 2014)
Motley’s Law (Nicole N. Horanyi, 2015) *
The Queen of Versailles (Lauren Greenfield, 2012) *
Speed Sisters (Amber Fares, 2015) *


Dominican Republic

Miriam miente (Miriam Lies) (Natalia Cabral/et al., 2018) *


Egypt

 Dreamaway (Johanna Domke/et al., 2018) *
 Dunia (Jocelyn Saab, 2005) *
Al Midan (The Square) (Jehane Noujaim, 2013) *
Yom Lel Setat (A Day for Women) (Kamla Abou Zekri, 2016)


Estonia

Nong Hak (Dearest Sister) (Mattie Do, 2016) *


Finland

Pojkarna (Girls Lost) (Alexandra-Therese Keining, 2016) *


France

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
Les Adoptés (The Adopted) (Mélanie Laurent, 2011)
 Ai to Ho (Of Love & Law) (Hikaru Toda, 2017) *
Un amour de jeunesse (Goodbye First Love) (Mia Hansen-Løve, 2011) *
 Un amour impossible (An Impossible Love) (Catherine Corsini, 2018) *
An (Sweet Bean) (Naomi Kawase, 2015) *
Les Années 80 (The Eighties) (Chantal Akerman, 1983) *
À peine j’ouvre les yeux (As I Open My Eyes) (Leyla Bouzid, 2015) *
Argerich (aka Bloody Daughter) (Stéphanie Argerich, 2012) *
 As boas maneiras (Good Manners) (Juliana Rojas/et al., 2017) *
Aurélia Steiner (Vancouver) (Marguerite Duras, 1980) [medium-length]
 Aurore (aka I Got Life!) (Blandine Lenoir, 2017)
Aux frontières (On Borders) (Danielle Arbid, 2002) *
Ava (Léa Mysius, 2017)
Avant la fin de l’été (Before Summer Ends) (Maryam Goormaghtigh, 2017) *
L’Avenir (Things to Come) (Mia Hansen-Løve, 2016) *

Baden Baden (Rachel Lang, 2016) *
Bande de filles (Girlhood) (Céline Sciamma, 2014)
Bang Gang (une histoire d’amour moderne) (Bang Gang (A Modern Love Story)) (Eva Husson, 2015)
Bar bahar (In Between) (Maysaloun Hamoud, 2016) *
Barbe bleue (Bluebeard) (Catherine Breillat, 2009)
 Barbicania (Louise Lemoine/et al., 2014) *
 La Bataille de Solférino (Age of Panic) (Justine Triet, 2013)
 Battles (Isabelle Tollenaere, 2015) *
Un beau soleil intérieur (Let the Sun Shine In) (Claire Denis, 2017) *
La Belle saison (Summertime) (Catherine Corsini, 2015)
 Big in Vietnam (Mati Diop, 2012) [medium-length]
Le Bonheur (Agnès Varda, 1965)
Bridget Jones’s Baby (Sharon Maguire, 2016) *

La Captive (The Captive) (Chantal Akerman, 2000) *
Les Cent et une nuits de Simon Cinéma (One Hundred and One Nights) (Agnès Varda, 1995)
Chemi bednieri ojakhi (My Happy Family) (Nana Ekvtimishvili/et al., 2017) *
 Chocolat (Claire Denis, 1988) *
Cidade de Deus (City of God) (Kátia Lund/et al., 2002) *
Circumstance (Maryam Keshavarz, 2011) *
Cléo de 5 à 7 (Cléo from 5 to 7) (Agnès Varda, 1962) *
Cléo de 5 à 7: souvenirs et anecdotes (Agnès Varda, 2005) [medium-length]
Comment Yukong déplaça les montagnes (How Yukong Moved the Mountains) (Marceline Loridan Ivens/et al., 1976)
La Coquille et le clergyman (The Seashell and the Clergyman) (Germaine Dulac, 1928) [medium-length]
La Cour de Babel (School of Babel) (Julie Bertuccelli, 2014)

Daguerréotypes (Agnès Varda, 1976)
Dans ma peau (In My Skin) (Marine de Van, 2002)
Dao Khanong (By the Time It Gets Dark) (Anocha Suwichakornpong, 2016) *
Dap canh giua khong trung (Flapping in the Middle of Nowhere) (Hoang Diep Nguyen, 2014) *
Demain on déménage (Tomorrow We Move) (Chantal Akerman, 2004) *
D’est (aka From the East) (Chantal Akerman, 1993) *
Diabolo menthe (Peppermint Soda) (Diane Kurys, 1977)
Un divan à New York (A Couch in New York) (Chantal Akerman, 1996) *
Divines (Houda Benyamina, 2016) *
Documenteur (Agnès Varda, 1981) *

Eden (Mia Hansen-Løve, 2014)
Elle l’adore (aka Number One Fan) (Jeanne Herry, 2014)
L’Étrange couleur des larmes de ton corps (The Strange Colour of Your Body’s Tears) (Hélène Cattet/et al., 2013) *
Evolution (Lucile Hadžihalilović, 2015) *
 Exotica, Erotica, Etc. (Evangelia Kranioti, 2015)

Feminists Insha’allah! The Story of Arab Feminism (Feriel Ben Mahmoud, 2014) [medium-length]
La Fiancée du pirate (A Very Curious Girl) (Nelly Kaplan, 1969)
Fidelio, l’odyssée d’Alice (Fidelio: Alice’s Odyssey aka Fidelio: Alice’s Journey) (Lucie Borleteau, 2014)
 Le Fort des fous (Narimane Mani, 2017) *

 Gemma Bovery (Anne Fontaine, 2014) *
Gett (Gett: The Trial of Viviane Amsalem) (Ronit Elkabetz/et al., 2014) *
Golden Eighties (aka Window Shopping) (Chantal Akerman, 1986) *
Grave (Raw) (Julia Ducournau, 2016) *

The Heart Is Deceitful Above All Things (Asia Argento, 2004) *
Une histoire de vent (A Tale of the Wind) (Marceline Loridan-Ivens/et al., 1988) *
Home (Ursula Meier, 2008) *
Hotline (Silvina Landsmann, 2015) *
Hysteria (Tanya Wexler, 2011) *

I Am Not a Witch (Rungano Nyoni, 2017) *
Ici et ailleurs (Here and Elsewhere) (Anne-Marie Miéville/et al., 1976)
Inch’Allah dimanche (aka Inch’Allah Sunday) (Yamina Benguigui, 2001) *
Les Innocentes (The Innocents) (Anne Fontaine, 2016) *
Italie aller retour (Cécile Decugis, 1984) [medium-length]

J’ai pas sommeil (I Can’t Sleep) (Claire Denis, 1994) *
 Jane B. par Agnès V. (Jane B. by Agnès V.) (Agnès Varda, 1988)
Les Jardiniers de la Rue des Martyrs (The Gardeners of the Martyrs’ Street) (Leïla Habchi/et al., 2003)
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975) *
Jeune femme (Montparnasse Bienvenüe) (Léonor Serraille, 2017) *

Les Kazaks – minorité nationale (The Kazakhs) (Marceline Loridan Ivans/et al., 1977) [medium-length]
Khamosh Pani (Silent Waters) (Sabiha Sumar, 2003) *
Klassenverhältnisse (Class Relations) (Danièle Huillet/et al., 1984) *
 Kuro (Tujiko Noriko/et al., 2017) *

Là-bas (aka Down There) (Chantal Akerman, 2006) *
 Lebanon Factory (Shirin Abushaqra/Mounia Akl/Una Gunjak/Lucie La Chimia/et al., 2017) *
Letters from Baghdad (Sabine Krayenbühl/Zeva Oelbaum, 2016) *

 Ma belle gosse (My Blue-Eyed Girl) (Shalimar Preuss, 2013)
Mariam (Faiza Ambah, 2015) [medium-length] *
 Le Marin masqué (Sophie Letourneur, 2011) [medium-length]
Marseille (Angela Schanelec, 2004) *
Maryland (aka Disorder) (Alice Winocour, 2015) *
Miss Julie (Liv Ullmann, 2014) *
Mon roi (aka My King) (Maïwenn, 2015)
La mujer sin cabeza (The Headless Woman) (Lucrecia Martel, 2008) *
Mur murs (Agnès Varda, 1981) *
Mustang (Deniz Gamze Ergüven, 2015) *

Naissance des pieuvres (Water Lilies) (Céline Sciamma, 2007)
Nathalie Granger (Marguerite Duras, 1972)
News from Home (Chantal Akerman, 1977) *
No Home Movie (Chantal Akerman, 2015) *
Nong Hak (Dearest Sister) (Mattie Do, 2016) *
La Nuit de la vérité (The Night of Truth) (Fanta Régina Nacro, 2004) *

 Or (aka Mon trésor aka My Treasure) (Keren Yedaya, 2004) *
 Ouaga Girls (Theresa Traoré Dahlberg, 2017) *
 Ouvrir la voix (Speak Up aka Speak Up/Make Your Way) (Amandine Gay, 2017)

Panj e asr (At Five in the Afternoon) (Samira Makhmalbaf, 2003) *
Le Passage (Cécile Decugis, 1965) [medium-length]
Patardzlebi (Brides) (Tinatin Kajrishvili, 2014) *
Le Père de mes enfants (Father of My Children) (Mia Hansen-Løve, 2009)
La Permanence (On Call) (Alice Diop, 2016)
Peur de rien (Parisienne) (Danielle Arbid, 2015)
La Pointe-Courte (Agnès Varda, 1955)
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
Un poison violent (Love Like Poison) (Katell Quillévéré, 2010)
Polina, danser sa vie (Polina) (Valérie Müller/et al., 2016)

Ratcatcher (Lynne Ramsay, 1999) *
Réparer les vivants (Heal the Living) (Katell Quillévéré, 2016) *
 Respire (aka Breathe) (Mélanie Laurent, 2014)
Revenge (Coralie Fargeat, 2017)
Rue Cases-Nègres (Sugar Cane Alley) (Euzhan Palcy, 1983) *

 Sag-haye velgard (Stray Dogs) (Marzieh Meshkini, 2004) *
Les Salauds (Bastards) (Claire Denis, 2013)
Sans toit ni loi (Vagabond) (Agnès Varda, 1985)
Satin rouge (Red Satin) (Raja Amri, 2002) *
Selma (Ava DuVernay, 2014) *
Seule avec la guerre (Alone with War) (Danielle Arbid, 2000) [medium-length] *
Sicilia! (aka Sicily!) (Danièle Huillet/et al., 1999) *
 Snow Canon (Mati Diop, 2011) [medium-length]
Sud (South) (Chantal Akerman, 1999) *
Sukkar banat (Caramel) (Nadine Labaki, 2007) *
Suzanne (Katell Quillévéré, 2013)

Tomboy (Céline Sciamma, 2011)
 Touch Me Not (Adina Pintilie, 2018) *
Toute une nuit (aka A Whole Night) (Chantal Akerman, 1982) *
Trouble Every Day (Claire Denis, 2001) *
 Two Mothers (aka Adoration aka Adore aka Perfect Mothers) (Anne Fontaine, 2013) *

L’Une chante, l’autre pas (One Sings, the Other Doesn’t) (Agnès Varda, 1977)
U.S. Go Home (Claire Denis, 1994)

 Victoria (In Bed with Victoria) (Justine Triet, 2016)
 Visages villages (Faces Places) (Agnès Varda/et al., 2017)
Une visite au Louvre (Danièle Huillet/et al., 2004) [medium-length] *
Voir du pays (The Stopover) (Delphine Coulin/Muriel Coulin, 2016) *

 Wajib (Annemarie Jacir, 2017) *

 Yom adaatou zouli (The Day I Lost My Shadow) (Soudade Kaadan, 2018) *
You Were Never Really Here (Lynne Ramsay, 2017) *

Zama (Lucrecia Martel, 2017) *
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *
Zhongguo guniang (She, a Chinese) (Xiaolu Guo, 2009) *
 Zin’naariya! (The Wedding Ring) (Rahmatou Keïta, 2016) *


Georgia

Chemi bednieri ojakhi (My Happy Family) (Nana Ekvtimishvili/et al., 2017) *
Grdzeli nateli dgheebi (In Bloom) (Nana Ekvtimishvili/et al., 2013)
Patardzlebi (Brides) (Tinatin Kajrishvili, 2014) *

see also Union of Soviet Socialist Republics (USSR)


Germany

3 Tage in Quiberon (3 Days in Quiberon) (Emily Atef, 2018)
Alle Anderen (Everyone Else) (Maren Ade, 2009)
Un amour de jeunesse (Goodbye First Love) (Mia Hansen-Løve, 2011) *
Amour Fou (Jessica Hausner, 2014) *
An (Sweet Bean) (Naomi Kawase, 2015) *
Der Andständige (The Decent One) (Vanessa Lapa, 2014) *
L’Avenir (Things to Come) (Mia Hansen-Løve, 2016) *
Censored Voices (Mor Loushy, 2015) *
Chemi bednieri ojakhi (My Happy Family) (Nana Ekvtimishvili/et al., 2017) *
 Chocolat (Claire Denis, 1988) *
 Chu Lu (A Way Out) (Qiong Zheng, 2016) *
Citizenfour (Laura Poitras, 2014) *
Dap canh giua khong trung (Flapping in the Middle of Nowhere) (Hoang Diep Nguyen, 2014) *
Un divan à New York (A Couch in New York) (Chantal Akerman, 1996) *
 Dreamaway (Johanna Domke/et al., 2018) *
 Figlia mia (Daughter of Mine) (Laura Bispuri, 2018) *
 Le Fort des fous (Narimane Mani, 2017) *
Grbavica (Esma’s Secret aka Grbavica: The Land of My Dreams) (Jasmila Žbanić, 2006)*
Güneşe yolculuk (Journey to the Sun) (Yeşim Ustaoğlu, 1999) *
Havoc (Barbara Kopple, 2005) *
The Heart Is Deceitful Above All Things (Asia Argento, 2004) *
Hedy Lamarr: Secrets of a Hollywood Star (Barbara Obermaier/et al., 2006) *
Hysteria (Tanya Wexler, 2011) *
I Am Not a Witch (Rungano Nyoni, 2017) *
 Island of the Hungry Ghosts (Gabrielle Brady, 2008) *
J’ai pas sommeil (I Can’t Sleep) (Claire Denis, 1994) *
Khamosh Pani (Silent Waters) (Sabiha Sumar, 2003) *
 Kuro (Tujiko Noriko/et al., 2017) *
Looking for Oum Kulthum (Shirin Neshat/et al., 2017) *
Lore (Cate Shortland, 2012) *
Lovely Rita (Jessica Hausner, 2001) *
Mamma Mia! (Phyllida Lloyd, 2008) *
Marseille (Angela Schanelec, 2004) *
Meine Brüder und Schwestern im Norden (My Brothers and Sisters in the North) (Sung Hyung Cho, 2016)
Mein langsames Leben (Passing Summer) (Angela Schanelec, 2001)
Mein Stern (Be My Star) (Valeska Grisebach, 2001) *
Le meraviglie (The Wonders) (Alice Rohrwacher, 2014) *
Min lilla syster (My Skinny Sister) (Sanna Lenken, 2015) *
Mossane (Safi Faye, 1996) *
Mustang (Deniz Gamze Ergüven, 2015) *
Nachmittag (Afternoon) (Angela Schanelec, 2007)
Ohne diese Welt (Without This World) (Nora Fingscheidt, 2017)
El olivo (The Olive Tree) (Icíar Bollaín, 2016) *
Orly (Angela Schanelec, 2010)
Petting Zoo (Micah Magee, 2015) *
 The Poetess (aka Alsha’airah) (Stefanie Brockhaus/et al., 2017) *
Sama (aka The Trace) (Néjia Ben Mabrouk, 1988) *
Sicilia! (aka Sicily!) (Danièle Huillet/et al., 1999) *
Slap Her, She’s French! (aka She Gets What She Wants) (Melanie Mayron, 2002) *
Sonita (Rokhsareh Ghaem Maghami, 2015) *
Toni Erdmann (Maren Ade, 2016) *
 Touch Me Not (Adina Pintilie, 2018) *
Der traumhafte Weg (The Dreamed Path) (Angela Schanelec, 2016)
Trouble Every Day (Claire Denis, 2001) *
Une visite au Louvre (Danièle Huillet/et al., 2004) [medium-length] *
The Voices (Marjane Satrapi, 2014) *
Wadjda (Haifaa al-Mansour, 2012) *
Der Wald vor lauter Bäumen (The Forest for the Trees) (Maren Ade, 2003)
 Western (Valeska Grisebach, 2017) *
Wild (Nicolette Krebitz, 2016)
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *
Zhongguo guniang (She, a Chinese) (Xiaolu Guo, 2009) *

West Germany

Az én XX. századom (My Twentieth Century) (Ildikó Enyedi, 1989) *
Deutschland bleiche Mutter (Germany, Pale Mother) (Helma Sanders-Brahms, 1980)
Une histoire de vent (A Tale of the Wind) (Marceline Loridan-Ivens/et al., 1988) *
Klassenverhältnisse (Class Relations) (Danièle Huillet/et al., 1984) *
 Menschenfrauen (Valie Export, 1980) *
Neun Leben hat die Katze (The Cat Has Nine Lives) (Ula Stöckl, 1968)
News from Home (Chantal Akerman, 1977) *
Die verlorene Ehre der Katharina Blum oder: Wie Gewalt entstehen und wohin sie führen kann (The Lost Honour of Katharina Blum aka The Lost Honor of Katharine Blum) (Margarethe von Trotta/et al., 1975)
Das zweite Erwachen der Christa Klages (The Second Awakening of Christa Klages) (Margarethe von Trotta, 1978)


Greece

Attenberg (Athina Rachel Tsangari, 2010)
Chevalier (Athina Rachel Tsangari, 2015)
 Le Fort des fous (Narimane Mani, 2017) *
Lamma shoftak (When I Saw You) (Annemarie Jacir, 2012) *
Moderation (Anja Kirschner, 2016) *
Park (Sofia Exarchou, 2016) *
Petting Zoo (Micah Magee, 2015) *
Urok (The Lesson) (Kristina Grozeva/et al., 2014) *
Voir du pays (The Stopover) (Delphine Coulin/Muriel Coulin, 2016) *


Guyana

The Bastard Sings the Sweetest Song (Christy Garland, 2012) *


Hong Kong

29+1 (Kearen Pang, 2016)
Baise nuhai (The White Girl) (Jenny Suen/et al., 2017)
Beijing yushang Xiyatu zhi bu er qingshu (Finding Mr Right 2 aka Book of Love aka Beijing Meets Seattle II: Book of Love) (Xiaolu Xue, 2016) *
Complicit (Heather White/Lynn Zhang, 2017) *
Tou ze (A Simple Life) (Ann Hui, 2011)


Hungary

Az én XX. századom (My Twentieth Century) (Ildikó Enyedi, 1989) *
Napló gyermekeimnek (Diary for My Children) (Márta Mészáros, 1984)
Testről és lélekről (On Body and Soul) (Ildikó Enyedi, 2017)


India

 Ask the Sexpert (Vaishali Sinha, 2017) *
Baar Baar Dekho (Nitya Mehra, 2016)
Beyond Bollywood (Ruchika Muchhala/et al., 2013) [medium-length] *
Daughters of Mother India (Vibha Bakshi, 2015) [medium-length]
Dear Zindagi (Gauri Shinde, 2016)
Dil Dhadakne Do (Zoya Akhtar, 2015)
Irudhi Suttru (aka Saala Khadoos) (Sudha Kongara Prasad, 2016)
Luck by Chance (Zoya Akhtar, 2009)
My Name Is Salt (Farida Pacha, 2013) *
 Namdev Bhau (Namdev Bhau in Search of Silence) (Dar Gai, 2018)
Nil Battey Sannata (aka The New Classmate) (Ashwiny Iyer Tiwari, 2015)
PEEPLI [Live] (Anusha Rizvi, 2010)
Qarib Qarib Singlle (Almost Single) (Tanuja Chandra, 2017)
Raazi (Meghna Gulzar, 2018)
 Rajma Chawal (Leena Yadav, 2018)
Salaam Bombay! (Mira Nair, 1988)
Sanam Teri Kasam (Radhika Rao/et al., 2016)
 A Suitable Girl (Sarita Khurana/Smriti Mundhra, 2017) *
Viceroy’s House (Gurinder Chadha, 2017) *


Indonesia

Arisan! (The Gathering) (Nia Dinata, 2003)
Arisan! 2 (The Gathering 2) (Nia Dinata, 2011)
Marlina Si Pembunuh Dalam Empat Babak (Marlina the Murderer in Four Acts) (Mouly Surya, 2017)
Sekala Niskala (The Seen and Unseen) (Kamila Andini, 2017) *


Iran

Banoo-Ye Ordibehesht (The May Lady) (Rakhshan Bani-Etemad, 1997)
Circumstance (Maryam Keshavarz, 2011) *
Divorce Iranian Style (Kim Longinotto/Ziba Mir-Hosseini, 1998) *
Ghesse-ha (Tales) (Rakhshan Bani-Etemad, 2014)
 Gholam (Mitra Tabrizian, 2017) *
 Israfil (Seraph) (Ida Panahandeh, 2017)
Lezate divanegi (Joy of Madness) (Hana Makhmalbaf, 2004) *
Panj e asr (At Five in the Afternoon) (Samira Makhmalbaf, 2003) *
Ruz-egar-e ma (Our Times) (Rakhshan Bani-Etemad, 2002)
 Sag-haye velgard (Stray Dogs) (Marzieh Meshkini, 2004) *
Sonita (Rokhsareh Ghaem Maghami, 2015) *
Yek. Do. Yek (One. Two. One) (Mania Akbari, 2011)
Zir-e poost-e shahr (Under the Skin of the City) (Rakhshan Bani-Etemad, 2001)


Ireland

The Breadwinner (Nora Twomey, 2017) *
Bridget Jones’s Baby (Sharon Maguire, 2016) *
Miss Julie (Liv Ullmann, 2014) *


Israel

Der Andständige (The Decent One) (Vanessa Lapa, 2014) *
Bar bahar (In Between) (Maysaloun Hamoud, 2016) *
Censored Voices (Mor Loushy, 2015) *
Gett (Gett: The Trial of Viviane Amsalem) (Ronit Elkabetz/et al., 2014) *
Hotline (Silvina Landsmann, 2015) *
Laavor et hakir (The Wedding Plan aka Through the Wall) (Rama Burshtein, 2016)
Lemale et ha’chalal (Fill the Void) (Rama Burshtein, 2012)
 Or (aka Mon trésor aka My Treasure) (Keren Yedaya, 2004) *
Princess (Tali Shalom Ezer, 2014)


Italy

Cléo de 5 à 7 (Cléo from 5 to 7) (Agnès Varda, 1962) *
È piccerella (The Little Girl) (Elvira Notari, 1922)
 Figlia mia (Daughter of Mine) (Laura Bispuri, 2018) *
Looking for Oum Kulthum (Shirin Neshat/et al., 2017) *
Le meraviglie (The Wonders) (Alice Rohrwacher, 2014) *
La mujer sin cabeza (The Headless Woman) (Lucrecia Martel, 2008) *
La niña santa (The Holy Girl) (Lucrecia Martel, 2004) *
Pasqualino Settebellezze (Seven Beauties) (Lina Wertmüller, 1975)
Peggy Guggenheim: Art Addict (Lisa Immordino Vreeland, 2015) *
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
Il portiere di notte (The Night Porter) (Liliana Cavani, 1974)
Sicilia! (aka Sicily!) (Danièle Huillet/et al., 1999) *
A Small Section of the World (Lesley Chilcott, 2014) *
Somewhere (Sofia Coppola, 2010) *
Une visite au Louvre (Danièle Huillet/et al., 2004) [medium-length] *
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *


Japan

 Ai to Ho (Of Love & Law) (Hikaru Toda, 2017) *
An (Sweet Bean) (Naomi Kawase, 2015) *
Endingu noto (Ending Note: Death of a Japanese Salesman aka Death of a Japanese Salaryman) (Mami Sunada, 2011)
Futatsume no Mado (Still the Water) (Naomi Kawase, 2014)
Hebi ichigo (Wild Berries) (Miwa Nishikawa, 2003)
It’s Complicated (Nancy Meyers, 2009) *
Kakera (aka Kakera: A Piece of Our Life) (Momoko Ando, 2009)
 Karera ga honki de amu toki wa (Close-Knit) (Naoko Ogigami, 2017)
Katatsumori (Naomi Kawase, 1994) [medium-length]
Koe no Katachi (A Silent Voice aka The Shape of Voice) (Naoko Yamada, 2016)
 Kuro (Tujiko Noriko/et al., 2017) *
Mogari no mori (The Mourning Forest) (Naomi Kawase, 2007)
Nagai iiwake (The Long Excuse) (Miwa Nishikawa, 2016)
 Ni Tsutsumarete (Embracing) (Naomi Kawase, 1992) [medium-length]
Sakuran (Mika Ninagawa, 2007)
Shinjuku Boys (Kim Longinotto/Jano Williams, 1995) [medium-length]
Somewhere (Sofia Coppola, 2010) *
Take This Waltz (Sarah Polley, 2011) *
Tenshi no yokubou (The Lust of Angels) (Nagisa Isogai, 2014) [medium-length]
Trouble Every Day (Claire Denis, 2001) *
Tsukuroi tatsu hito (A Stitch of Life) (Yukiko Mishima, 2015)


Jordan

Lamma shoftak (When I Saw You) (Annemarie Jacir, 2012) *
Wadjda (Haifaa al-Mansour, 2012) *


Kenya

 Rafiki (aka Friend) (Wanuri Kahiu, 2018) *


Laos

Nong Hak (Dearest Sister) (Mattie Do, 2016) *


Latvia

 Battles (Isabelle Tollenaere, 2015) *


Lebanon

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
 Dunia (Jocelyn Saab, 2005) *
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
 Lebanon Factory (Shirin Abushaqra/Mounia Akl/Una Gunjak/Lucie La Chimia/et al., 2017) *
Ossit sawani (Blind Intersections) (Lara Saba, 2013) *
Sukkar banat (Caramel) (Nadine Labaki, 2007) *
 Yawmiyat Scheherazade (Scheherazade’s Diary) (Zeina Daccache, 2013)
 Yom adaatou zouli (The Day I Lost My Shadow) (Soudade Kaadan, 2018) *


Libya

 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *


Luxembourg

Amour Fou (Jessica Hausner, 2014) *
The Breadwinner (Nora Twomey, 2017) *
L’Étrange couleur des larmes de ton corps (The Strange Colour of Your Body’s Tears) (Hélène Cattet/et al., 2013) *
Hysteria (Tanya Wexler, 2011) *
 Kuro (Tujiko Noriko/et al., 2017) *
Mary Shelley (Haifaa al-Mansour, 2017) *


Martinique

Rue Cases-Nègres (Sugar Cane Alley) (Euzhan Palcy, 1983) *


Mexico

Allende, mi abuelo Allende (Beyond My Grandfather Allende) (Marcia Tambutti Allende, 2015) *
Bellas de noche (Beauties of the Night) (María José Cuevas, 2016)
La camarista (The Chambermaid) (Lila Avilés, 2018) *
 Casa Roshell (Camila José Donoso, 2017) *
Chavela (Catherine Gund/Daresha Kyi, 2017) *
Lu-To (Katina Medina Mora, 2013)
Marias (Joana Mariani/Leticia Giffoni, 2016) *
 Tempestad (Tatiana Huezo, 2016)


Morocco

Looking for Oum Kulthum (Shirin Neshat/et al., 2017) *
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *


Mozambique

Terra Sonâmbula (Sleepwalking Land) (Teresa Prata, 2007) *


Nepal

Manakamana (Stephanie Spray/et al., 2013) *
Sherpa (Jennifer Peedom, 2015) *


Netherlands

 Battles (Isabelle Tollenaere, 2015) *
Dao Khanong (By the Time It Gets Dark) (Anocha Suwichakornpong, 2016) *
 De jueves a domingo (Thursday Till Sunday) (Dominga Sotomayor, 2012) *
Güneşe yolculuk (Journey to the Sun) (Yeşim Ustaoğlu, 1999) *
Une histoire de vent (A Tale of the Wind) (Marceline Loridan-Ivens/et al., 1988) *
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
La niña santa (The Holy Girl) (Lucrecia Martel, 2004) *
El olvido (aka Oblivion) (Heddy Honigmann, 2008)
The Queen of Versailles (Lauren Greenfield, 2012) *
Sekala Niskala (The Seen and Unseen) (Kamila Andini, 2017) *
De stilte rond Christine M. (A Question of Silence) (Marleen Gorris, 1982)
 Tarde para morir joven (Too Late to Die Young) (Dominga Sotomayor, 2018) *
Toute une nuit (aka A Whole Night) (Chantal Akerman, 1982) *
Wadjda (Haifaa al-Mansour, 2012) *


New Zealand

Erebus: Operation Overdue (aka Erebus: Into the Unknown) (Charlotte Purdy/Peter Burger, 2014)
A Flickering Truth (Pietra Brettkelly, 2015)
“Joanna Margaret Paul: I Am an Open Window” (Joanna Paul/Rachel Shearer/Sonya Lacey/Nova Paul/Miranda Parkes/et al., 2015)
Waru (Chelsea Cohen/Ainsley Gardiner/Paula Whetu Jones/Casey Kaa/Renae Maihi/Awanui Simich-Pene/Briar Grace Smith/Katie Wolfe, 2017)


Nicaragua

Marias (Joana Mariani/Leticia Giffoni, 2016) *
Las Sandinistas (Jenny Murray, 2018) *


Niger

 Zin’naariya! (The Wedding Ring) (Rahmatou Keïta, 2016) *


Nigeria

B for Boy (Chika Anadu, 2013)
 The Department (Remi Vaughan-Williams, 2015)
Faaji Agba (Remi Vaughan-Williams, 2015)
The Supreme Price (Joanna Lipper, 2014) *


Norway

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
Dap canh giua khong trung (Flapping in the Middle of Nowhere) (Hoang Diep Nguyen, 2014) *
Drone (Tonje Hessen Schei, 2014)
Dukhtar (Afia Nathaniel, 2014) *
Miss Julie (Liv Ullmann, 2014) *


Pakistan

 Among the Believers (Hemal Trivedi/et al., 2015) *
Armed with Faith (Geeta Gandbhir/et al., 2017) *
Azmaish: A Journey Through the Subcontinent (Sabiha Sumar, 2017)
Bin Roye (Momina Duraid/et al., 2015)
Dukhtar (Afia Nathaniel, 2014) *
Khamosh Pani (Silent Waters) (Sabiha Sumar, 2003) *


Palestine

Lamma shoftak (When I Saw You) (Annemarie Jacir, 2012) *
 Naila and the Uprising (Julia Bacha, 2017) *
Speed Sisters (Amber Fares, 2015) *
 Wajib (Annemarie Jacir, 2017) *


Peru

Madeinusa (Claudia Llosa, 2006) *
Marias (Joana Mariani/Leticia Giffoni, 2016) *
La teta asustada (The Milk of Sorrow) (Claudia Llosa, 2009) *
When Two Worlds Collide (Heidi Brandenburg/et al., 2016) *


Philippines

Bayang Ina Mo (Motherland) (Ramona S. Diaz, 2017) *
 Bontoc Eulogy (Bridget Yearian/et al., 1995) [medium-length] *


Poland

Aktorzy prowincjonalni (Provincial Actors) (Agnieszka Holland, 1979)
Les Innocentes (The Innocents) (Anne Fontaine, 2016) *
Park (Sofia Exarchou, 2016) *
The Vanquishing of the Witch Baba Yaga (Jessica Oreck, 2014) *


Portugal

D’est (aka From the East) (Chantal Akerman, 1993) *
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
 Terra de ninguém (No Man’s Land) (Salomé Lamas, 2013)
Terra Sonâmbula (Sleepwalking Land) (Teresa Prata, 2007) *


Qatar

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
Dao Khanong (By the Time It Gets Dark) (Anocha Suwichakornpong, 2016) *
Divines (Houda Benyamina, 2016) *
 Dreamaway (Johanna Domke/et al., 2018) *
 Le Fort des fous (Narimane Mani, 2017) *
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
Mustang (Deniz Gamze Ergüven, 2015) *
Sekala Niskala (The Seen and Unseen) (Kamila Andini, 2017) *
Speed Sisters (Amber Fares, 2015) *
 Tarde para morir joven (Too Late to Die Young) (Dominga Sotomayor, 2018) *
 They (Anahita Ghazvinizadeh, 2017) *
 Yom adaatou zouli (The Day I Lost My Shadow) (Soudade Kaadan, 2018) *


Romania

Toni Erdmann (Maren Ade, 2016) *
 Touch Me Not (Adina Pintilie, 2018) *


Russia

 Battles (Isabelle Tollenaere, 2015) *
Chekhovskie motivy (Chekhovian Motifs aka Chekhov’s Motifs) (Kira Muratova, 2002) *
The Vanquishing of the Witch Baba Yaga (Jessica Oreck, 2014) *

see also Union of Soviet Socialist Republics (USSR)


Saudia Arabia

Mariam (Faiza Ambah, 2015) [medium-length] *
Wadjda (Haifaa al-Mansour, 2012) *


Senegal

Fad’jal (Safi Faye, 1979)
Mossane 
(Safi Faye, 1996) *


Serbia

Cinema Komunisto (Mila Turajlić, 2010)


Singapore

Pop Aye (Kirsten Tan, 2017) *
Shirkers (Sandi Tan, 2018) *


South Africa

 Rafiki (aka Friend) (Wanuri Kahiu, 2018) *
The World Unseen (Shamim Sarif, 2007) *


South Korea

Dohui-ya (A Girl at My Door) (July Jung, 2014)
Go-yang-i-leul boo-tak-hae (Take Care of My Cat) (Jeong Jae-eun, 2001)
Jamsil (Lee Wan-min, 2016)
Madonna (Su-won Shin, 2015)
Mi-sseu-baek (Miss Baek) (Lee Ji-won, 2018)
Najeun moksori (The Murmuring) (Young-Joo Byun, 1995)
Na-moo-eobs-neun san (Treeless Mountain) (So Yong Kim, 2008) *
Yeon-ae-dam (Our Love Story) (Hyun-ju Lee, 2016)


Spain

Carmen y Lola (Carmen and Lola) (Arantxa Echevarria, 2018)
Chavela (Catherine Gund/Daresha Kyi, 2017) *
Estiu 1993 (Summer 1993) (Carla Simón, 2017)
Evolution (Lucile Hadžihalilović, 2015) *
Madeinusa (Claudia Llosa, 2006) *
Miriam miente (Miriam Lies) (Natalia Cabral/et al., 2018) *
La mujer sin cabeza (The Headless Woman) (Lucrecia Martel, 2008) *
My Life Without Me (Isabel Coixet, 2003) *
La niña santa (The Holy Girl) (Lucrecia Martel, 2004) *
El olivo (The Olive Tree) (Icíar Bollaín, 2016) *
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
Take This Waltz (Sarah Polley, 2011) *
La teta asustada (The Milk of Sorrow) (Claudia Llosa, 2009) *


Sweden

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
Återträffen (The Reunion) (Anna Odell, 2013)
The Bastard Sings the Sweetest Song (Christy Garland, 2012) *
Flocken (Flocking) (Beata Gårdeler, 2015)
 Martha & Niki (Tora Mkandawire Mårtens, 2016)
Min lilla syster (My Skinny Sister) (Sanna Lenken, 2015) *
 Ouaga Girls (Theresa Traoré Dahlberg, 2017) *
Pojkarna (Girls Lost) (Alexandra-Therese Keining, 2016) *
 Something Must Break (Ester Martin Bergsmark, 2014)


Switzerland

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
Argerich (aka Bloody Daughter) (Stéphanie Argerich, 2012) *
Avant la fin de l’été (Before Summer Ends) (Maryam Goormaghtigh, 2017) *
 Figlia mia (Daughter of Mine) (Laura Bispuri, 2018) *
 Le Fort des fous (Narimane Mani, 2017) *
Golden Eighties (aka Window Shopping) (Chantal Akerman, 1986) *
Hedy Lamarr: Secrets of a Hollywood Star (Barbara Obermaier/et al., 2006) *
Home (Ursula Meier, 2008) *
Hysteria (Tanya Wexler, 2011) *
J’ai pas sommeil (I Can’t Sleep) (Claire Denis, 1994) *
Le meraviglie (The Wonders) (Alice Rohrwacher, 2014) *
My Name Is Salt (Farida Pacha, 2013) *
Les Ponts de Sarajevo (The Bridges of Sarajevo) (Aida Begić/Isild Le Besco/Ursula Meier/Angela Schanelec/Teresa Villaverde/et al., 2014) *
Sonita (Rokhsareh Ghaem Maghami, 2015) *


Syria

 Yom adaatou zouli (The Day I Lost My Shadow) (Soudade Kaadan, 2018) *


Taiwan

 Liu Lang Shen Gou Ren (God Man Dog) (Singing Chen, 2007)
 Jiexianyuan (The Receptionist) (Jenny Lu, 2016) *
Wo De Shao Nu Shi Dai (Our Times) (Frankie Chen, 2015)


Thailand

Dao Khanong (By the Time It Gets Dark) (Anocha Suwichakornpong, 2016) *
Jao nok krajok (Mundane History) (Anocha Suwichakornpong, 2009)
 Maha samut lae susaan (The Island Funeral) (Pimpaka Towira, 2015)
 Malila (Malila: The Farewell Flower) (Anucha Boonyawatana, 2017)
Pop Aye (Kirsten Tan, 2017) *


Tunisia

Aala kaf ifrit (Beauty and the Dogs) (Kaouther Ben Hania/et al., 2017) *
À peine j’ouvre les yeux (As I Open My Eyes) (Leyla Bouzid, 2015) *
Fatma 75 (Selma Baccar, 1975)
Sama (aka The Trace) (Néjia Ben Mabrouk, 1988) *
Satin rouge (Red Satin) (Raja Amri, 2002) *


Turkey

Dedemin Fişi (Meltem Bozoflu, 2016)
Güneşe yolculuk (Journey to the Sun) (Yeşim Ustaoğlu, 1999) *
Kedi (Ceyda Torun, 2016) *
Mustang (Deniz Gamze Ergüven, 2015) *
Taşkafa: Stories of the Street (Andrea Luka Zimmerman, 2013) *


Ukraine

Chekhovskie motivy (Chekhovian Motifs aka Chekhov’s Motifs) (Kira Muratova, 2002) *
The Vanquishing of the Witch Baba Yaga (Jessica Oreck, 2014) *
Zanan-e bedun-e mardan (Women Without Men) (Shirin Neshat/et al., 2009) *

see also Union of Soviet Socialist Republics (USSR)


Union of Soviet Socialist Republics (USSR)

Dolgie provody (The Long Goodbye aka The Long Farewell) (Kira Muratova, 1971) [Ukraine]
Krylya (Wings) (Larisa Shepitko, 1966) [Ukraine]
Pirveli mertskhali (First Swallows) (Nana Mchedlidze, 1975) [Georgia]
Voskhozhdeniye (The Ascent) (Larisa Shepitko, 1977) [Ukraine]


United Arab Emirates (UAE)

À peine j’ouvre les yeux (As I Open My Eyes) (Leyla Bouzid, 2015) *
Lamma shoftak (When I Saw You) (Annemarie Jacir, 2012) *
Mariam (Faiza Ambah, 2015) [medium-length] *
Ossit sawani (Blind Intersections) (Lara Saba, 2013) *
 The Poetess (aka Alsha’airah) (Stefanie Brockhaus/et al., 2017) *
Wadjda (Haifaa al-Mansour, 2012) *


United Kingdom (UK)

Addicted to Sheep (Magali Pettier, 2015)
Adult Life Skills (Rachel Tunnard, 2016)
 Ai to Ho (Of Love & Law) (Hikaru Toda, 2017) *
The Alcohol Years (Carol Morley, 2000) [medium-length]
American Honey (Andrea Arnold, 2016) *
Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008)
Animal Farm (Joy Batchelor/et al., 1954)
Appropriate Behavior (aka Appropriate Behaviour) (Desiree Akhavan, 2014)
The Arbor (Clio Barnard, 2010)
Attacking the Devil: Harold Evans and the Last Nazi War Crime (Jacqui Morris/et al., 2014)

“BAFTA Shorts 2015” (Rachel Tunnard/Daisy Jacobs/et al., 2014)
 Barbicania (Louise Lemoine/et al., 2014) *
 Been So Long (Tinge Krishnan, 2018)
Belle (Amma Asante, 2013)
Bend It Like Beckham (Gurinder Chadha, 2002)
Blue Black Permanent (Margaret Tait, 1992)
Brand: A Second Coming (Ondi Timoner, 2015) *
Bred and Born (Joanna Davis/Mary Pat Leece, 1983)
Bridget Jones’s Baby (Sharon Maguire, 2016) *
Bridget Jones’s Diary (Sharon Maguire, 2001)
Burn Burn Burn (Chanya Button, 2015)

 A Caribbean Dream (Shakirah Bourne, 2016) *
Carry Greenham Home (Beeban Kidron/Amanda Richardson, 1983)
The Closer We Get (Karen Guthrie, 2015)

Dark Horse (Louise Osmond, 2015)
 Dark River (Clio Barnard, 2017)
Despite the Falling Snow (Shamim Sarif, 2016) *
The Divide (Katharine Round, 2015) *
Divorce Iranian Style (Kim Longinotto/Ziba Mir-Hosseini, 1998) *
Dreamcatcher (Kim Longinotto, 2015) *
Dreams of a Life (Carol Morley, 2011)

Edge (Carol Morley, 2010)
An Education (Lone Scherfig, 2009) *
Estate, a Reverie (Andrea Luka Zimmerman, 2015)
 Even When I Fall (Kate McLarnon/Sky Neal, 2017)

The Falling (Carol Morley, 2014)
 Five Men and a Caravaggio (Xiaolu Guo, 2018) *

Gaea Girls (Kim Longinotto/Jano Williams, 2000)
Gascoigne (Jane Preston, 2015)
 Gemma Bovery (Anne Fontaine, 2014) *
 Gholam (Mitra Tabrizian, 2017) *
Ginger & Rosa (Sally Potter, 2012)
The Gold Diggers (Sally Potter, 1983)
Greenham Granny (Caroline Goldie, 1986) [medium-length]

The Heart Is Deceitful Above All Things (Asia Argento, 2004) *
Une histoire de vent (A Tale of the Wind) (Marceline Loridan-Ivens/et al., 1988) *
Honeytrap (Rebecca Johnson, 2014)
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
Hysteria (Tanya Wexler, 2011) *

I Am Not a Witch (Rungano Nyoni, 2017) *
 Island of the Hungry Ghosts (Gabrielle Brady, 2008) *

 Jiexianyuan (The Receptionist) (Jenny Lu, 2016) *
Jintian de yu zenme yang? (How Is Your Fish Today?) (Xiaolu Guo, 2006) *

 Kuro (Tujiko Noriko/et al., 2017) *

La Belle at the Movies (Cecilia Zoppelletto, 2015) *
Learning to Drive (Isabel Coixet, 2014) *
Letters from Baghdad (Sabine Krayenbühl/Zeva Oelbaum, 2016) *
The Levelling (Hope Dickson Leach, 2016)
Light Years (Esther May Campbell, 2015)
Lore (Cate Shortland, 2012) *
Lost in Lebanon (Georgia Scott/Sophia Scott, 2017)
Love Is All: 100 Years of Love & Courtship (Kim Longinotto, 2014)

Mamma Mia! (Phyllida Lloyd, 2008) *
Mary Shelley (Haifaa al-Mansour, 2017) *
Me and You and Everyone We Know (Miranda July, 2005) *
Al Midan (The Square) (Jehane Noujaim, 2013) *
 The Miseducation of Cameron Post (Desiree Akhavan, 2018) *
Miss Julie (Liv Ullmann, 2014) *
Miss You Already (Catherine Hardwicke, 2015)
Moderation (Anja Kirschner, 2016) *
Morvern Callar (Lynne Ramsay, 2002) *
My Brother the Devil (Sally El Hosaini, 2012)

Nina’s Heavenly Delights (Pratibha Parmar, 2006)
Una noche (Lucy Mulloy, 2012) *

One Day (Lone Scherfig, 2011) *
Orion: The Man Who Would Be King (Jeanie Finlay, 2015) *
Our Kind of Traitor (Susanna White, 2016)

Palio (Cosima Spender, 2015)
The Party (Sally Potter, 2017)
Peggy Guggenheim: Art Addict (Lisa Immordino Vreeland, 2015) *
 Pin Cushion (Deborah Haywood, 2017)
Prevenge (Alice Lowe, 2016)
Public House (Sarah Turner, 2015)

Qianru Shenti de Chengshi (The Concrete Revolution) (Xiaolu Guo, 2004)
The Queen of Versailles (Lauren Greenfield, 2012) *
 Queerama (Daisy Asquith, 2017)

Ratcatcher (Lynne Ramsay, 1999) *

Sea Without Shore (Fernanda Lippi/et al., 2015)
Second Coming (debbie tucker green, 2014)
The Selfish Giant (Clio Barnard, 2013)
Selma (Ava DuVernay, 2014) *
Seven Songs for a Long Life (Amy Hardie, 2015)
Shirkers (Sandi Tan, 2018) *
Shoot the Messenger (Ngozi Onwurah, 2006)
Sisters in Law (Kim Longinotto/Florence Ayisi, 2005) *
Slap Her, She’s French! (aka She Gets What She Wants) (Melanie Mayron, 2002) *
Somewhere (Sofia Coppola, 2010) *
Speed Sisters (Amber Fares, 2015) *
Star Men (Alison Rose, 2015) *
StreetDance (Dania Pasquini/et al., 2010)
Suffragette (Sarah Gavron, 2015)

Taşkafa: Stories of the Street (Andrea Luka Zimmerman, 2013) *
Their Finest (Lone Scherfig, 2016)
They Will Have to Kill Us First (Johanna Schwartz, 2015)
Things We Lost in the Fire (Susanne Bier, 2007) *
Together (Lorenza Mazzetti, 1956) [medium-length]

A United Kingdom (Amma Asante, 2016) *
Unrelated (Joanna Hogg, 2007)
Unrest (Jennifer Brea, 2017) *

Versus: The Life and Films of Ken Loach (Louise Osmond, 2016)
Viceroy’s House (Gurinder Chadha, 2017) *
The Violators (Helen Walsh, 2015)

A Way of Life (Amma Asante, 2004)
W.E. (Madonna, 2011)
 Welcome II the Terrordome (Ngozi Onwurah, 1995)
We Need to Talk about Kevin (Lynne Ramsay, 2011) *
When Two Worlds Collide (Heidi Brandenburg/et al., 2016) *
The World Unseen (Shamim Sarif, 2007) *
Wuthering Heights (Andrea Arnold, 2011)

You Were Never Really Here (Lynne Ramsay, 2017) *

Zhongguo guniang (She, a Chinese) (Xiaolu Guo, 2009) *


United States of America (USA)

 6 Years (Hannah Fidell, 2015)
13th (Ava DuVernay, 2016)
The 33 (aka Los 33) (Patricia Riggen, 2015) *
1971 (Johanna Hamilton, 2014)

Addicted to Fresno (Jamie Babbit, 2015)
Advanced Style (Lina Plioplyte, 2014)
Advantageous (Jennifer Phang, 2015)
Afternoon Delight (Jill Soloway, 2013)
All This Panic (Jenny Gage, 2016)
Alma’s Rainbow (Ayoka Chenzira, 1994)
American Honey (Andrea Arnold, 2016) *
 Among the Believers (Hemal Trivedi/et al., 2015) *
Armed with Faith (Geeta Gandbhir/et al., 2017) *
Arranged (Diane Crespo/et al., 2007)
 Ask the Sexpert (Vaishali Sinha, 2017) *

Bachelorette (Leslye Headland, 2012)
The Bad Batch (Ana Lily Amirpour, 2016)
Bad Rap (Salima Koroma, 2016) *
Battle of the Sexes (Valerie Faris/et al., 2017)
Bayang Ina Mo (Motherland) (Ramona S. Diaz, 2017) *
Bayou Maharajah (Lily Keber, 2013)
 Beach Rats (Eliza Hittman, 2017)
“Beastie Boys Video Anthology” (Tamra Davis, 1992 + others, 1981-99)
The Beguiled (Sofia Coppola, 2017)
Being Elmo: A Puppeteer’s Journey (Constance Marks, 2011)
Bessie (Dee Rees, 2015)
Bewitched (Nora Ephron, 2005)
Beyond Bollywood (Ruchika Muchhala/et al., 2013) [medium-length] *
Beyond the Lights (Gina Prince-Bythewood, 2014)
The Bigamist (Ida Lupino, 1953)
Big Star: Nothing Can Hurt Me (Olivia Mori/et al., 2012)
Blackfish (Gabriela Cowperthwaite, 2013)
Black Nativity (Kasi Lemmons, 2013)
 Blank City (Celine Danhier, 2010)
The Bling Ring (Sofia Coppola, 2013)
 Blockers (Kay Cannon, 2018)
Bombay Beach (Alma Har’el, 2011)
 Bombshell: The Hedy Lamarr Story (Alexandra Dean, 2017)
 Bontoc Eulogy (Bridget Yearian/et al., 1995) [medium-length] *
Born in Flames (Lizzie Borden, 1983)
Brand: A Second Coming (Ondi Timoner, 2015) *
The Bride Wore Red (Dorothy Arzner, 1937)
Bridget Jones’s Baby (Sharon Maguire, 2016) *
Buttercup Bill (Remy Bennett/Émilie Richard-Froozan, 2014)
Butter on the Latch (Josephine Decker, 2013)
By the Sea (Angelina Jolie, 2015)

La camarista (The Chambermaid) (Lila Avilés, 2018) *
The Camera: Je or La Caméra: I (Babette Mangolte, 1977)
Cameraperson (Kirsten Johnson, 2016)
Carrie Pilby (Susan Johnson, 2016)
The Caveman’s Valentine (Kasi Lemmons, 2001) *
Certain Women (Kelly Reichardt, 2016)
Charm City (Marilyn Ness, 2018)
Chavela (Catherine Gund/Daresha Kyi, 2017) *
Circumstance (Maryam Keshavarz, 2011) *
Citizenfour (Laura Poitras, 2014) *
Clueless (Amy Heckerling, 1995)
Complicit (Heather White/Lynn Zhang, 2017) *
Concussion (Stacie Passon, 2013)
 The Connection (Shirley Clarke, 1961)
Crossroads (Tamra Davis, 2002)
The Cruz Brothers and Miss Malloy (Kathleen Collins, 1980) [medium-length]

Dancing in Jaffa (Hilla Medalia, 2013)
The Darkest Minds (Jennifer Yuh Nelson, 2018)
Daughters of the Dust (Julie Dash, 1991)
Deidra & Laney Rob a Train (Sydney Freeland, 2017)
Deliver Us from Evil (Amy Berg, 2006)
Desperately Seeking Susan (Susan Seidelman, 1985)
 Detroit (Kathryn Bigelow, 2017)
The Diary of a Teenage Girl (Marielle Heller, 2015)
A Different Image (Alile Sharon Larkin, 1982) [medium-length]
Dirty Computer (Lacey Duke/Emma Westenberg/et al., 2018) [medium-length]
The Divide (Katharine Round, 2015) *
Documenteur (Agnès Varda, 1981) *
Dokhtari dar sab tanha be xane miravad (A Girl Walks Home Alone at Night) (Ana Lily Amirpour, 2014)
Dreamcatcher (Kim Longinotto, 2015) *
Dukhtar (Afia Nathaniel, 2014) *
Dumplin’ (Anne Fletcher, 2018)

The Edge of Seventeen (Kelly Fremon Craig, 2016)
An Education (Lone Scherfig, 2009) *
Elvis & Nixon (Liza Johnson, 2016)
Empty Suitcases (Bette Gordon, 1980) [medium-length]
Enough Said (Nicole Holofcener, 2013)
Equity (Meera Menon, 2016)
Everybody Street (Cheryl Dunn, 2013)
Everything, Everything (Stella Meghie, 2017)

 The Feels (Jenée LaMarque, 2017)
Feminists: What Were They Thinking? (Johanna Demetrakas, 2018)
Fifty Shades of Grey (Sam Taylor-Johnson, 2015)
Finding Christa (Camille Billops/et al., 1991) [medium-length]
 Finishing School (Wanda Tuchock/et al., 1934)
The Fits (Anna Rose Holmer, 2015)
For Ellen (So Yong Kim, 2012)
Free Solo (Elizabeth Chai Vasarhelyi/et al., 2018)
Friends with Money (Nicole Holofcener, 2006)
Frozen (Jennifer Lee/et al., 2013)
A Fuller Life (Samantha Fuller, 2013)

Gimme Shelter (Charlotte Zwerin/et al., 1970)
Girls Trip (Malcolm D. Lee, 2017)
The Gospel According to André (Lynn Novack, 2017)
Grey Gardens (Ellen Hovde/Muffie Meyer/et al., 1975)

Haishang Fucheng (Dead Pigs) (Cathy Yan, 2018) *
 Hard, Fast and Beautiful (Ida Lupino, 1951)
Havoc (Barbara Kopple, 2005) *
The Heart Is Deceitful Above All Things (Asia Argento, 2004) *
Heart of a Dog (Laurie Anderson, 2015)
 The Hitch-Hiker (Ida Lupino, 1953)
 The Holiday (Nancy Meyers, 2006)
 Home Again (Hallie Meyers-Shyer, 2017)
Hooligan Sparrow (Nanfu Wang, 2016) *
Hôtel Monterey (Chantal Akerman, 1972) *
Hot Girls Wanted (Jill Bauer/Ronna Gradus, 2015)
Hot Pursuit (Anne Fletcher, 2015)
 Huqul alhuriya (Freedom Fields) (Naziha Arebi, 2018) *
Hurricane of Fun: The Making of Wet Hot (Amy Rice, 2015)

I Could Never Be Your Woman (Amy Heckerling, 2007)
Illusions (Julie Dash, 1982) [medium-length]
In a World… (Lake Bell, 2013)
The Intern (Nancy Meyers, 2015)
The Intervention (Clea DuVall, 2016)
Introducing Dorothy Dandridge (Martha Coolidge, 1999)
The Invitation (Karyn Kusama, 2015)
Ishtar (Elaine May, 1987)
It’s Complicated (Nancy Meyers, 2009) *
I Used to Be Normal: A Boyband Fangirl Story (Jessica Leski, 2018) *
I Will Follow (Ava DuVernay, 2010)

Janis: Little Girl Blue (Amy J. Berg, 2015)
 Jean-Michel Basquiat: The Radiant Child (Tamra Davis, 2010)
Jimi Plays Monterey (Chris Hegedus/et al., 1986) [medium-length]
 Jinn (Nijla Mu’min, 2018)
Jumpin’ Jack Flash (Penny Marshall, 1986)
Jupiter Ascending (Lana Wachowski/Lilly Wachowski, 2015)

Kedi (Ceyda Torun, 2016) *
The Kids Are All Right (Lisa Cholodenko, 2010)
Kung Fu Panda 2 (Jennifer Yuh Nelson, 2011)

 Lady Bird (Greta Gerwig, 2017)
Laggies (aka Say When) (Lynn Shelton, 2014)
 The Land of Steady Habits (Nicole Holofcener, 2018)
Learning to Drive (Isabel Coixet, 2014) *
Leave No Trace (Debra Granik, 2018)
Lemonade (Beyoncé Carter Knowles/et al., 2016)
Letters from Baghdad (Sabine Krayenbühl/Zeva Oelbaum, 2016) *
The Life and Times of Rosie the Riveter (Connie Field, 1980)
Life Partners (Susanna Fogel, 2014)
The Light of the Moon (Jessica M. Thompson, 2017)
Lights of Old Broadway (Monta Bell, 1925)
Little Fugitive (Ruth Orkin/et al., 1953)
Loser (Amy Heckerling, 2000)
Little White Lie (Lacey Schwartz/et al., 2014)
Losing Ground (Kathleen Collins, 1982)
Los Punks: We Are All We Have (Angela Boatwright, 2016)
Love & Basketball (Gina Prince-Bythewood, 2000)
Lovely & Amazing (Nicole Holofcener, 2001)
Lovers and Lollipops (Ruth Orkin/et al., 1956)
Lovesong (So Yong Kim, 2016)
Love the Coopers (aka Christmas with the Coopers) (Jessie Nelson, 2015)
LoveTrue (Alma Har’el, 2016)
The Love Witch (Anna Biller, 2016)

McFarland, USA (aka McFarland) (Niki Caro, 2015)
Madeline’s Madeline (Josephine Decker, 2018)
The Mafu Cage (Karen Arthur, 1978)
Maggie’s Plan (Rebecca Miller, 2015)
Mamma Mia! (Phyllida Lloyd, 2008) *
Manakamana (Stephanie Spray/et al., 2013) *
Marc Maron: Too Real (Lynn Shelton, 2017)
Mariam (Faiza Ambah, 2015) [medium-length] *
Mary Shelley (Haifaa al-Mansour, 2017) *
Material Girls (Martha Coolidge, 2006)
Mavis! (Jessica Edwards, 2015)
Maya Angelou: And Still I Rise (Rita Coburn Whack/et al., 2016)
Me and You and Everyone We Know (Miranda July, 2005) *
Mean Girls 2 (Melanie Mayron, 2011)
The Meddler (Lorene Scafaria, 2015)
Meet the Patels (Geeta V. Patel/et al., 2014)
Megan Leavey (Gabriela Cowperthwaite, 2017)
Merrily We Go to Hell (Dorothy Arzner, 1932)
Al Midan (The Square) (Jehane Noujaim, 2013) *
Middle of Nowhere (Ava DuVernay, 2012)
 The Miseducation of Cameron Post (Desiree Akhavan, 2018) *
Mississippi Grind (Anna Boden/et al., 2015)
Miss Sharon Jones! (Barbara Kopple, 2015)
Money Monster (Jodie Foster, 2016)
Motley’s Law (Nicole N. Horanyi, 2015) *
 Mudbound (Dee Rees, 2017)
Mur murs (Agnès Varda, 1981) *
My Country, My Country (Laura Poitras, 2006)

 Naila and the Uprising (Julia Bacha, 2017) *
Na-moo-eobs-neun san (Treeless Mountain) (So Yong Kim, 2008) *
 Nancy (Christina Choe, 2018)
Naomi and Ely’s No Kiss List (Kristin Hanggi, 2015)
Nappily Ever After (Haifaa al-Mansour, 2018)
Near Dark (Kathryn Bigelow, 1987)
A New Leaf (Elaine May, 1971)
Night Moves (Kelly Reichardt, 2013)
Una noche (Lucy Mulloy, 2012) *
No Manifesto: A Film about Manic Street Preachers (Elizabeth Marcus, 2015)
Not Bad for a Girl (Lisa Rosa Apramian, 1995)

The Oath (Laura Poitras, 2010)
Obvious Child (Gillian Robespierre, 2014)
Office Killer (Cindy Sherman, 1997)
One Day (Lone Scherfig, 2011) *
Orion: The Man Who Would Be King (Jeanie Finlay, 2015) *
Ornette: Made in America (Shirley Clarke, 1985)
Out of Many, One (Nanfu Wang/et al., 2018) [medium-length]
Outside In (Lynn Shelton, 2017)

Palo Alto (Gia Coppola, 2013)
The Parent Trap (Nancy Meyers, 1998)
Pariah (Dee Rees, 2011)
Paris Is Burning (Jennie Livingston, 1990)
Party Girl (Daisy von Scherler Mayer, 1995)
Peggy Guggenheim: Art Addict (Lisa Immordino Vreeland, 2015) *
Petting Zoo (Micah Magee, 2015) *
Picture Bride (Kayo Hatta, 1994)
Pitch Perfect 2 (Elizabeth Banks, 2015)
Please Give (Nicole Holofcener, 2010)
 Private Life (Tamara Jenkins, 2018)
Professor Marston and the Wonder Women (Angela Robinson, 2017)
The Punk Singer (Sini Anderson, 2013)

Queen of Katwe (Mira Nair, 2016)
The Queen of Versailles (Lauren Greenfield, 2012) *

The Rape of Recy Taylor (Nancy Buirski, 2017)
A Revolution in Four Seasons (Jessie Deeter, 2016)
RBG (Betsy West/Julie Cohen, 2018)
Richard Linklater: Dream Is Destiny (Karen Bernstein/et al., 2016)
The Rider (Chloé Zhao, 2017)
River of Grass (Kelly Reichardt, 1994)
The Rosa Parks Story (Julie Dash, 2002)
Rough Night (Lucia Aniello, 2017)

Salesman (Charlotte Zwerin/et al., 1968)
Las Sandinistas (Jenny Murray, 2018) *
Saving Face (Alice Wu, 2004)
The Secret Life of Bees (Gina Prince-Bythewood, 2008)
Seeking a Friend for the End of the World (Lorene Scafaria, 2012)
Selma (Ava DuVernay, 2014) *
Set It Up (Claire Scanlon, 2018)
Shakedown (Leilah Weinraub, 2018)
She’s Beautiful When She’s Angry (Mary Dore, 2014)
Shirkers (Sandi Tan, 2018) *
Skate Kitchen (Crystal Moselle, 2018)
Slap Her, She’s French! (aka She Gets What She Wants) (Melanie Mayron, 2002) *
Sleeping with Other People (Leslye Headland, 2015)
A Small Section of the World (Lesley Chilcott, 2014) *
Somewhere (Sofia Coppola, 2010) *
Song One (Kate Barker-Froyland, 2014)
Songs My Brothers Taught Me (Chloé Zhao, 2015)
Speed Sisters (Amber Fares, 2015) *
The Spy Who Dumped Me (Susanna Fogel, 2018)
Star Men (Alison Rose, 2015) *
Step (Amanda Lipitz, 2017)
 Step Up: All In (Trish Sie, 2014)
 A Suitable Girl (Sarita Khurana/Smriti Mundhra, 2017) *
The Supreme Price (Joanna Lipper, 2014) *

Talk to Me (Kasi Lemmons, 2007)
Tallulah (Siân Heder, 2016)
Tank Girl (Rachel Talalay, 1995)
A Teacher (Hannah Fidell, 2013)
Their Eyes Were Watching God (Darnell Martin, 2005)
 They (Anahita Ghazvinizadeh, 2017) *
Things Behind the Sun (Allison Anders, 2001)
Things We Lost in the Fire (Susanne Bier, 2007) *
This Is the Life (Ava DuVernay, 2008)
Thou Wast Mild and Lovely (Josephine Decker, 2014)
Tig (Kristina Goolsby/Ashley York, 2015)
Time for Ilhan (Norah Shapiro, 2018)
Tiny Furniture (Lena Dunham, 2010)
To All the Boys I’ve Loved Before (Susan Johnson, 2018)
The To Do List (Maggie Carey, 2013)
Touchy Feely (Lynn Shelton, 2013)
Twinsters (Samantha Futerman/et al., 2015)
Tyrus (Pamela Tom, 2015)

Uncertain (Anna Sandilands/et al., 2015)
Unexpected (Kris Swanberg, 2015)
Union Maids (Julia Reichert/et al., 1976)
A United Kingdom (Amma Asante, 2016) *
Unlocking the Cage (Chris Hegedus/et al., 2016)
Unrest (Jennifer Brea, 2017) *

The Vanquishing of the Witch Baba Yaga (Jessica Oreck, 2014) *
A Very Murray Christmas (Sofia Coppola, 2015) [medium-length]
The Voices (Marjane Satrapi, 2014) *

Wadjda (Haifaa al-Mansour, 2012) *
The Watermelon Woman (Cheryl Dunye, 1996)
Weiner (Elyse Steinberg/et al., 2016)
Welcome to Me (Shira Piven, 2014)
We Need to Talk about Kevin (Lynne Ramsay, 2011) *
West of Memphis (Amy J. Berg, 2012)
What Women Want (Nancy Meyers, 2000)
When Two Worlds Collide (Heidi Brandenburg/et al., 2016) *
Winter’s Bone (Debra Granik, 2010)
The Wolfpack (Crystal Moselle, 2015)
Women Who Kill (Ingrid Jungermann, 2016)
Wonder Woman (Patty Jenkins, 2017)
Worlds of Ursula K. Le Guin (Arwen Curry, 2018)
 A Wrinkle in Time (Ava DuVernay, 2018)

 Yours in Sisterhood (Irene Lusztig, 2018)
Your Sister’s Sister (Lynn Shelton, 2011)
You Were Never Really Here (Lynne Ramsay, 2017) *


Uruguay

Mi amiga del parque (My Friend from the Park) (Ana Katz, 2015) *


Venezuela

Pelo malo (Bad Hair) (Mariana Rondón, 2013)


Vietnam

Dap canh giua khong trung (Flapping in the Middle of Nowhere) (Hoang Diep Nguyen, 2014) *


Zimbabwe

Democrats (Camilla Nielsson, 2014) *

Page updated: 27 January 2019

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