As part of the my ‘documentaries about women image makers’ themed week, this documentary isn’t exclusively about that subject, but covers lo-fi no-wave indie filmmaking in New York from the late-1970s onwards, many of whose key creators were women.
An interesting enough documentary that marshals a number of clips, as well as rounding up interviews with the key participants in the so-called “no wave” film/musical movement in NYC in the late-70s and early-80s, as it morphs into an anarchic and nihilist cinema of transgression. It’s interesting to see how the early filmmakers were responding to the city they lived in, with all its chronic underinvestment, poverty, drugs and the resulting bohemian artistic scene. They were all largely based in the downtown area near the Bowery, where clubs like CBGB’s could be found, just after the first breaking of punk music and into the post-punk scene. Some of them went on to mainstream success, while others moved far more into the art world, with varying degrees of success. The film is also keen to stress the central role that women played, not just as stars but as creative participants and directors of films within the movement, and we hear quite a bit from them also, like Vivienne Dick, Sara Driver, Beth B, Susan Seidelman and others. In all, it’s an interesting introduction to a fecund era of artistic creation, which could be every bit as obnoxious and off-putting as it could be cool and inspiring.
Director Celine Danhier; Cinematographers Ryo Murakami 村上涼 and Peter Szollosi; Length 94 minutes.
Seen at home (DVD), London, Thursday 27 December 2018.