Casting my eye over the new releases in Britain this week I can’t see much that thrills me particularly. However, I will not be in the UK this Friday, but instead will be winging my way to New Zealand. Therefore, in honour of that, I am doing a week themed around New Zealand films (or films made there, depending on how I go for titles). I’m going to start with this engaging documentary about a seminal NZ indie band of the 1980s and on, The Chills, and its charismatic frontman.
As far as music from NZ’s jangly indie 1980s underground goes, The Chills were probably the biggest name, though they were never my favourites. Still, they gained the greatest success through a handful of major label records by the end of that decade, and their leader, Martin Phillipps, had an undeniable sense of pop hooks and sweet harmonies reminiscent of Brian Wilson, all imbued with a thematic darkness — which probably explains why Neil Finn pops up early on as a talking head commenting on Phillipp’s artistry. However, for the most part this documentary eschews celebrity commentators in favour of Martin himself and his former bandmates and managers speaking about the chronological development of the music, for The Chills were probably second only to The Fall in having a huge rotating cast of musicians all unified under Phillipps as lead singer and songwriter. What gives it that lift beyond the familiar topics of the rise-and-fall of egos and ambitions, of a man almost destroyed by drug and alcohol-related excess of the pop star lifestyle, is Phillipps himself and his self-deprecating humour as he reflects back on some bad decisions in his past, or sorts through his toy collections, or gets excited about some mummified animal-based art he’s working on (those are some of the biggest laughs but laughter with an unmistakable tinge of sadness and maybe even horror). That’s the tone of the film ultimately, and it’s rather beautiful too, though you feel there’s so much more they could have covered (so I’m hoping for DVD extras).
Directors Julia Parnell and Rob Curry; Cinematographer Tim Flower; Length 95 minutes.
Seen at Curzon Soho, London, Saturday 9 November 2019.