Seeing this kind of politically-committed documentary — about youthful revolutionary protestors (specifically people of colour in London) fighting against multiple intersections of oppression, whether racist, capitalist, sexist, imperialist — in a plush central London cinema feels strange. Indeed, this probably isn’t the kind of venue where it will get most traction; it’s surely more a means towards getting the message into at least the film columns of broadsheet newspapers. That said, although it’s about activists and conveys the potency of a very real and urgent struggle (ever more so since it was made, since events of even just the past week), it’s not simply a work of activist agitprop.
The film’s participants are careful and reflective about their voices and the ways they are trying to engage and confront a system of interrelated oppressions. They don’t always agree about either methods or ideology, but all of them are doing so much more than most of us, in our complacency (certainly those of us watching in posh central London cinemas, let’s be fair), and that’s important to see, just as it’s important to know and acknowledge this work is happening. My favourite participant is Tej, a sweet guy taking part in feminist consciousness raising, not to mention idealistically helping out homeless people and worrying over the details (whether his care packages are missing roll-on deodorant for example). There’s also the woman who calls out her fellow revolutionaries for being insufficiently inclusive, and the young woman near the end who bashfully admits she doesn’t know how to talk to people even as she strikes up an easy friendship with one unfortunate homeless woman outside Euston station.
Generation Revolution is filled with such portraits. It shows a side not just of political activism, but specifically of activism and community engagement amongst black and minority ethnicities in this country, that is rarely represented in the media, and gives me at least a strength of hope in future generations against what feels like a relentlessly cynical and ironic tone to much of the mainstream coverage of politics. It’s worth seeking out, as finding more ways to engage with political change is sadly becoming increasingly urgent in many parts of the western world.
Directors Cassie Quarless and Usayd Younis; Length 74 minutes.
Seen at Picturehouse Central, London, Saturday 12 November 2016.