Criterion Sunday 120: How to Get Ahead in Advertising (1989)

There’s a gleeful absurdism at work here that’s hard to deny has some pleasure, though I found it overwrought, almost stretching too hard to be considered “cult” (familiar territory for director Bruce Robinson, this being his follow-up to Withnail and I). It’s a High Thatcher British culture media satire and Richard E. Grant is its high priest, an ad exec pushed over the edge by zit cream, forced to account for his work to a boil that grows from his neck and threatens to take over his identity and his life. There’s a do-you-see #SATIRE quality that I find strained, but maybe it’s the very soul of anarchic comedy genius. It certainly has its admirers, and Grant certainly isn’t sparing any actorly extreme in his dual-role performance.

Criterion Extras: Aside from the transfer and the liner notes, there are no extras here.


FILM REVIEW: Criterion Collection
Director/Writer Bruce Robinson | Cinematographer Peter Hannan | Starring Richard E. Grant, Rachel Ward | Length 94 minutes || Seen at a friend’s home (DVD), London, Sunday 18 September 2016

No (2012)

Films About FilmmakingThere are many types of filmmaking, and television advertising is one more. This is a film that finds common ground between filmmaking and political change, via the medium of television and the language of advertising.


FILM REVIEW: ‘Films about Filmmaking’ Theme || Director Pablo Larraín | Writer Pedro Peirano (based on the play El plebiscito by Antonio Skármeta) | Cinematographer Sergio Armstrong | Starring Gael García Bernal | Length 118 minutes | Seen at home (DVD), London, Friday 24 January 2014 || My Rating 3.5 stars very good


© Network Releasing

As a story from his own country’s recent history, ostensibly this film by Chilean director Pablo Larraín is about the democratic overthrow of dictator General Augusto Pinochet in 1988, following 15 years of his rule, since he seized power from the left-wing Salvador Allende in a coup aided by the United States. However, it’s not really straight history, and it deftly manages to wrap in a commentary on the importance of television and the power of advertising, not to mention being a human drama about one man in the centre of this movement for change.

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