الميدان Al Midan (The Square, 2013)

Taking us back a few years to a time when it seemed the world could change for the better. I think the full accounting of the cause and effects of the Arab Spring are probably still quite far away, and this film was made in the ferment of the initial action, at least as it took place in Egypt. It’s a great piece of documentary work, urgent and compelling. Even almost 10 years on, it’s still not clear the direction things have taken, but it’s always useful to show that the people are not entirely without voice in such moments.


There are a lot of documentaries and films about protest (plenty indeed just about the Arab Spring, like the Tunisian film A Revolution in Four Seasons), but The Square — which comes quite soon after the initial events — really seems to capture something of what this means, both in practice, with the immediacy of reportage from sites of revolutionary insurrection and activist struggle, and also in thought. This latter is served by a number of individuals, who perhaps represent a wider cross-section, if not of the full range of society, but of its most reflective participants. Egypt is still working through the legacy of 2011, and the documentary acknowledges that at the end, but the couple of years we see here are pretty compelling.

The Square film posterCREDITS
Director Jehane Noujaim چيهان نچيم; Cinematographers Noujaim, Muhammad Hamdy محمد حمدي, Ahmed Hassan أحمد حسن and Cressida Trew; Length 108 minutes.
Seen at home (Netflix streaming), London, Wednesday 7 December 2016.