Terra Sonâmbula (Sleepwalking Land, 2007)

I never usually have much time for ‘magic realism’ but it does seem to make sense in the face of bloody civil war and a pervasive feeling of hopeless waste. This film follows two refugees travelling ceaselessly — an elderly man, Tuahir, formerly a railway worker (Aladino Jasse, channelling shades of Ventura in Pedro Costa’s films) and a young boy, Muidinga (Nick Lauro Teresa), searching for his family. It is set against the background of events in Mozambique, alluded to but not shown graphically (except for an early, shocking scene in a burnt-out bus, as the two stretch out amongst corpses). The sense of magic — encompassing storytelling, memory, nostalgia, sexual awakening (that’s a very weird scene), and life looping back on itself — can perhaps be taken as doomed hope, but it makes an otherwise grim subject matter (a la The Road) bearable.


FILM REVIEW
Director/Writer Teresa Prata (based on the novel by Mia Couto) | Cinematographer Dominique Gentil | Starring Nick Lauro Teresa, Aladino Jasse | Length 103 minutes || Seen at a pub while killing time waiting for a train (DVD), Dundee, Sunday 30 October 2016

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