Criterion Sunday 429: Les Amants (The Lovers, 1958)

This was something of a cause célèbre of its time — ridiculously, it went as far as the Supreme Court to rule on whether it was, in fact, “obscene”, not something that anyone watching today (or surely, to those responding in good faith, then) would label it. In any case, it has Jeanne Moreau as a bored upper-middle-class bourgeois wife who finds herself tempted by the charms of a number of men who pass through her charmed life of villas and polo matches. Even a man who gives her a lift when her car breaks down (Jean-Marc Bory) turns out to be related to the bored rich people, and part of what makes him interesting to her is the way he turns his back on those people. Ultimately, though, it feels a bit mean, being about a woman with little internal life who finds herself unfulfilled by affairs, and by the end isn’t even committed to her affair because you get the sense that nothing in her life would make her happy. And wonderful as Jeanne Moreau is to watch, and as well shot as the film is generally, it’s difficult to really care about her or about any of these characters in a film that lacks the lightness of the Nouvelle Vague filmmakers who were getting started around the same time.


FILM REVIEW: Criterion Collection
Director Louis Malle; Writer Louise de Vilmorin (based on the novel Point de lendemain by Dominique Vivant); Cinematographer Henri Decaë; Starring Jeanne Moreau, Jean-Marc Bory, Alain Cuny, José Luis de Villalonga; Length 90 minutes.

Seen at home (DVD), Wellington, Monday 17 May 2021.

Criterion Sunday 402: La Voie lactée (The Milky Way, 1969)

In his long career, Buñuel hardly shied away from the merciless mockery of religious hypocrisy, and that’s sort of the entire point of this film. It is essentially a kind of episodic comedy with a series of vignettes serving to set up a series of situations in which people argue on points of religious schisms, which when set out in this way can’t help but seem utterly absurd and futile. The plot, such as it is, hangs around a pilgrimage to Santiago de Compostela being undertaken by two men (Paul Frankeur and Laurent Terzieff), though they seem pretty happy to hop in a car when it suits them, and they don’t seem particularly committed to the more spiritual aspects of the journey, which don’t just travel through space but also just as often through time as well. Still, the director has his customary fun with Jesus (Bernard Verley), priests, monks and other holy men, and those who aspire to holiness, and I can’t deny its at times anarchic humour.


FILM REVIEW: Criterion Collection
Director Luis Buñuel; Writers Buñuel and Jean-Claude Carrière; Cinematographer Christian Matras; Starring Paul Frankeur, Laurent Terzieff, Édith Scob, Bernard Verley, Alain Cuny; Length 101 minutes.

Seen at home (Google Play Movies streaming), Wellington, Thursday 25 February 2021.