Criterion Sunday 49: Le notti di Cabiria (Nights of Cabiria, 1957)

Looking over a plot summary for Nights of Cabiria, I admit I found myself somewhat exasperated to see yet another Fellini film based around a happy-go-lucky prostitute. Surely a male-authored fiction by one such as Fellini (whose co-writers all look the model of patriarchal entitlement) could be counted on to treat sex workers as little more than adolescent male fantasies of sexual availability. After all, I found some of the treatment of the prostitute character in 1973’s Amarcord to be rather puerile and breast-fixated — hardly uncommon in 1970s cinema in particular, and that particular film was clearly made from the point of view of teenage boys. In any case (to return to the film under discussion), here, earlier in Fellini’s career, the spirit of his filmmaking seems different, closer perhaps to the neo-realism of his roots. There’s a real generosity towards the title character (played by Giulietta Masina), introduced being pushed into a river by a boyfriend who makes off with her purse, and who goes on to be screwed over by a succession of further weak men. She’s had a difficult life, but she has a strong friendship with a neighbour (and fellow prostitute), Wanda, with whom she has plans to get out of the game once they’ve paid off their mortgages. It’s once again a film with an episodic, wandering narrative, but at the core of everything is Cabiria, who despite her many setbacks manages to retain a cheerful if at times sarcastic demeanor. This is hardly to say it’s a feminist masterpiece, but it’s certainly got a lot more depth than I’d initially given it credit for.


FILM REVIEW: Criterion Collection
Director Federico Fellini; Writers Fellini, Ennio Flaiano, Tullio Pinelli and Pier Paolo Pasolini; Cinematographers Aldo Tonti and Otello Martelli; Starring Giulietta Masina; Length 118 minutes.

Seen at a friend’s home (DVD), London, Sunday 16 August 2015.