Watching this is very much an exercise in looking for the glimmers of hope and possibility in a story about people whose lives (all of them, really) have been derailed or sidelined, and who have turned to anger and sarcasm to get them through their lives (well those as well as drinking, lashing out, the usual kinds of things). It’s a film set in East London, not the trendy cool bit, but the Essex bit, out in Dagenham and Barking and beyond, stuck in a place where there doesn’t seem to be much of a way out. There’s an emaciated horse, the hope of five pounds stashed away to buy a few cans of super strength cider, dancing in parking lots with your friends, a sunny day away to a reservoir. Still, Andrea Arnold keeps it all moving along, just on the right side of hopelessness as our teenage protagonist Mia (Katie Jarvis) struggles to find some way to connect; Michael Fassbender as her mum’s boyfriend Conor seems to offer some hope for their family to come together, but then it turns out he’s just another rotten one, perhaps the worst, but yet somehow catalyses some feeling of change for Mia. You don’t want to watch it at times, but it hurtles forward with the brash energy of youth.
FILM REVIEW: Criterion Collection
Director Alexander Mackendrick; Writers Clifford Odets and Ernest Lehman (based on Lehman’s novelette Tell Me About It Tomorrow! in Cosmopolitan); Cinematographer James Wong Howe 黃宗霑; Starring Tony Curtis, Burt Lancaster, Susan Harrison; Length 96 minutes.
Seen at home (Blu-ray), Wellington, Saturday 23 July 2022 (and earlier on VHS at home, Wellington, June 2000).