Another story of the New York middle classes from its latter-day poet laureate Noah Baumbach, and however insufferable one might expect it to be, While We’re Young actually treads a rather fine and well-judged line for much of its running time. The overall impression by the end is of it being more a drama than a comedy thanks to its extensive disquisition on ethics in documentary filmmaking, but in getting there it does a good deal of wryly amusing legwork as established filmmaker Ben Stiller finds himself being usurped by young pretender Adam Driver. It’s at its strongest in observing the generational differences between Stiller and his wife Naomi Watts, and Driver and his wife Amanda Seyfried, as the older couple find themselves inspired and energised by their youthful counterparts (I suppose one would call them hipsters). Unlike some of the film’s reviewers, I don’t find them particularly ridiculous, but it’s in the nature of Stiller’s characters to overanalyse such things to the point of ridiculousness, and at that he remains a master. Still, I do prefer Baumbach’s looser collaborations with Greta Gerwig (most recently, Mistress America).
FILM REVIEW Director/Writer Noah Baumbach | Cinematographer Sam Levy | Starring Ben Stiller, Naomi Watts, Adam Driver, Amanda Seyfried, Charles Grodin | Length 97 minutes || Seen at home (streaming), London, Monday 21 December 2015
This may not be the worst movie this year, nor is it even the worst movie that my New Year’s Resolution has brought me to (that was probably Hot Pursuit), but it feels like the laziest. There are plenty of excellent actors involved in the large ensemble cast, but the whole enterprise is coated in a layer of treacly sentimentality so thick that it’s difficult to perceive some of the film’s likeable qualities (there are one or two amusing jokes, and I think there’s potential in the Olivia Wilde/Jake Lacy pairing), and by the end it had entirely squandered any goodwill I had towards it. Diane Keaton and John Goodman play the central couple, at whose home the traditional Christmas gathering is taking place, with stray members of the family travelling to get there. Everyone does the best they can, I suppose, but matching up Keaton with Marisa Tomei as her sister, or Alan Arkin with Amanda Seyfried as a (sort-of) love interest seem like bizarre choices. However, the worst choice was to have the film narrated by the family dog, voiced by a particularly unctuous Steve Martin. Not destined to be a holiday classic.
NEW RELEASE FILM REVIEW Director Jessie Nelson | Writer Steven Rogers | Cinematographer Elliot Davis | Starring Diane Keaton, John Goodman, Olivia Wilde, Ed Helms, Alan Arkin, Amanda Seyfried | Length 118 minutes || Seen at Cineworld Wood Green, London, Wednesday 16 December 2015
Surely everyone who likes this genre of film (the high school teen comedy) has seen Mean Girls by now, and either they’re unimpressed or they’re constantly quoting writer Tina Fey’s catchiest lines, possibly online with some kind of animated gif behind them. It’s in a clear line of descent from Clueless (1995) and a template for plenty of other increasingly anodyne takes on the same setting. I’ll admit to loving it the first time around, but I’ve seen it a few times since and I think some of the shine has worn off. Possibly this is down to a certain level of nastiness at the core of many of the characters, Lindsay Lohan’s protagonist Cady included, as she is increasingly co-opted into the vain status-obsessed circle of school royalty, the ‘Plastics’ (Rachel McAdams, Amanda Seyfried and Lacey Chabert). I mean, to be fair, that much is kinda cued up by the title, but it’s sometimes difficult to care about the fairly conventional sitcom-like narrative arc, as Cady goes from geeky outsider to cool leader-of-the-pack, then back to a point of (almost) harmonious resolution. Still, it does have plenty of great and quotable lines, I can’t deny that — it is the film’s greatest strength — and Tina Fey does double work as both the film’s writer and one of its (pretty large and impressive) supporting adult cast. Among the teens, Lizzy Caplan stands out as the alienated and sarcastic Janis, while I always enjoy the appearances of Kevin G and his Mathletes. So I certainly don’t want to write it off; it still has much to recommend it, even if it’s not the enduring class act of Clueless.
FILM REVIEW Director Mark Waters | Writer Tina Fey | Cinematographer Daryn Okada | Starring Lindsay Lohan, Rachel McAdams, Lizzy Caplan, Amanda Seyfried, Lacey Chabert | Length 97 minutes || Seen at home (DVD), London, Saturday 15 August 2015 (and many times over the past ten years)