Another early highlight for me at Whānau Mārama – New Zealand International Film Festival is this new Iranian film, which simultaneously feels like a lot of earlier Iranian films but also has its own voice and strengths. Nepotism is very much alive in the cinema of that country, but luckily it reaps some rewards with some fine films.
It seems that the Makhmalbaf filmmaking dynasty that runs through Iranian cinema has some competition now that Jafar Panahi’s son Panah has made this debut feature. This deceptively simple story has many of the hallmarks of contemporary Iranian cinema, in setting up a journey that harks back to plenty of antecedents — a 4WD drive vehicle with a family crossing alternately rocky and lush landscapes. We get to know them gradually, that they’re a family and that they’re mysteriously travelling without mobile phones, and little details like this are dropped that something a bit deeper and more emotionally turbulent is going on. However, throughout there’s a sense not just of the familiar familial bickering in a comic register, but also little flourishes of magical realism (not too much to be offputting, mind). Each of the people in the car copes in their own way with what seems to be a journey being undertaken on behalf of the eldest son, and even the end brings no clear answers to what’s going on: the important thing is getting to know these four people, and how the each are handling a time of heightened stress. It suggests a lot without ever saying anything concrete, and that only adds to its enigmatic spell. Plus it is heartwarming and funny and likeable, and all the performances are excellent (even the precocious brattish younger child).
Director/Writer Panah Panahi پناه پناهی; Cinematographer Amin Jafari امین جعفری; Starring Pantea Panahiha پانتهآ پناهیها, Hasan Majuni حسن معجونی, Rayan Sarlak رایان سرلک, Amin Simiar امین سیمیار; Length 93 minutes.
Seen at Light House, Petone, Monday 8 November 2021.