एक लड़की को देखा तो ऐसा लगा Ek Ladki Ko Dekha Toh Aisa Laga (2019)

It’s only fair in my week of romance and wedding-themed films to have one that actually seems fairly positive about the whole thing. Plus, given today marks the release on Portrait of a Lady on Fire in the UK, I can tie this film in somewhat to that in the sense that it’s a lesbian romance.


A big, boldly-coloured and glamorous mainstream film about two women in love, still rather a taboo subject in this traditional country it would seem, which approaches its topic via the roundabout route of suggesting first an interfaith relationship. It’s set in India’s northern state of Punjab, and presents its Hindu heroine Sweety (Sonam Kapoor) as apparently being smitten with Muslim film director/writer Sahil (Rajkummar Rao), much to the disappointment of her fiery brother Babloo and father Balbir (Sonam’s real life father Anil Kapoor). By the time the latter two men come round to Sahil, the film has made it clear that actually she’s really into a woman she met at a wedding (Regina Cassandra), so everyone’s in an awkward situation, which the film resolves with a musical-within-the-film. It manages to guide this emotional movement rather sensitively, only gradually laying out the real situation, and ensuring that when everything goes down with her family, she at least has the newly-welcome Sahil on her side. There’s some sweet detail around the edges which reminds us of the story’s source (a PG Wodehouse novel) and the British class structure of that original text: the family’s servants have scenes in which they’re seen taking bets on what’s going to happen; while businessman Balbir’s real love is cooking, though he’s been banned from the kitchen by his mother, who is clear that this is an undignified pursuit (indeed, when Sahil comes by to secretly pass a message to Sweety, he makes the classic comedy mistake of confusing Balbir for a servant). Of course, given it’s a Bollywood film, there’s some dancing at the wedding, but this isn’t quite as musical as some other films, preferring to retain its focus on the emotional core of the film, and comes in at a slim two hours running time.

Ek Ladki Ko Dekha Toh Aisa Laga film posterCREDITS
Director Shelly Chopra Dhar शैली चोपड़ा धार; Writers Gazal Dhaliwal ਗਜ਼ਲ ਧਾਲੀਵਾਲ and Dhar (based on the novel A Damsel in Distress by P.G. Wodehouse); Cinematographer Himman Dhamija; Starring Sonam Kapoor सोनम कपूर, Anil Kapoor अनिल कपूर, Rajkummar Rao राजकुमार राव, Regina Cassandra ரெஜினா கசாண்ட்ரா; Length 120 minutes.
Seen at home (Netflix streaming), London, Thursday 22 August 2019.

दिल धड़कने दो Dil Dhadakne Do (2015)

There’s probably no good reason that this film should work, but somehow — despite its wealthy characters, exotic cruise-liner-set locations (primarily Istanbul), and sudsy, at times sentimental, melodrama — it does. Perhaps this is down to director Zoya Akhtar and her female co-screenwriter, and the believability of some of their characters: there’s the mother and father Neelam and Kamal (Shefali Shah and Anil Kapoor) holding their marriage together under the strain of his philandering, their daughter Ayesha (Priyanka Chopra) who runs a successful business but doesn’t love her husband, and their playboy son Kabir (Ranveer Singh) who won’t settle down like his parents want. Yet even if this could be a quality slice of televisual soap opera at times, the emphasis must still remain on the quality, beautifully filmed and acted with panache. On the downside there’s the way things resolve themselves towards a sentimental denouement, often matched with syrupy musical cues — the title does after all translate as “Let the Heart Beat” — but after almost three hours it does at least feel somewhat earned. The device of having the film narrated by the family’s dog is a little precious, too, but it allows for a fair amount of physical comedy that never quite tips into the gross-out territory that Piku unexpectedly went to earlier this year — another film with a strong female protagonist. In that role Priyanka Chopra more than holds her own, believable as a self-made woman in control of her life, even with Ranveer Singh mugging and joking winningly for the camera as her dissolute brother and a powerhouse Anil Kapoor as her controlling dad. The constant changes in tonal range can get a bit trying towards the end (surely a feature of Bollywood cinema), as we veer from light-hearted comedy to dance numbers to histrionic melodrama, but the quality of the acting and writing finally wins through.

Dil Dhadakne Do film posterCREDITS
Director Zoya Akhtar ज़ोया अख़्तर; Writers Reema Kagti ৰীমা কাগতি, Zoya Akhtar and Farhan Akhtar फरहान अख्तर; Cinematographer Carlos Catalan; Starring Priyanka Chopra प्रियंका चोपड़ा, Ranveer Singh रणवीर सिंह, Anil Kapoor अनिल कपूर, Shefali Shah शेफ़ाली शाह, Farhan Akhtar फरहान अख्तर; Length 170 minutes.
Seen at Cineworld Wood Green, London, Monday 8 June 2015.