Criterion Sunday 57: Charade (1963)

This is, unquestionably, a bit of late-Golden Era Hollywood silliness, as Audrey Hepburn plays a wealthy widow to a man found dead under mysterious circumstances. Returning to their home in Paris, now stripped of all its furnishings, she finds herself being stalked by a trio of dangerous American felons (led by James Coburn), and helped — perhaps — by Cary Grant, whose name constantly changes throughout the film. All of these men believe she has access to some enormous wealth that her husband left behind ($250,000!). Things progress from there in a largely comedic (if not screwball) way, and if the film never seems particularly concerned with any profound depths of emotion (even the Criterion Collection likes to lighten things up occasionally), it’s also never particularly boring, thanks to the on-screen charisma of Hepburn and Grant.


FILM REVIEW: Criterion Collection
Director Stanley Donen; Writer Peter Stone (based on his short story “The Unsuspecting Wife”); Cinematographer Charles Lang; Starring Audrey Hepburn, Cary Grant, Walter Matthau, James Coburn; Length 113 minutes.

Seen at a friend’s home (DVD), London, Sunday 4 October 2015.

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Roman Holiday (1953)

It’s a classic trope, the fantasy of royalty cutting loose and partying with the plebs, like normal people. I’m not even sure if this was the original iteration, but you can’t possibly help but watch it 60 years on and think of A Royal Night Out (2015) or The Princess Diaries (2001) or the hundred other films of that ilk which share the theme, including Notting Hill (1999) which updates the formula from royalty to celebrity. Still, this one has Audrey Hepburn being utterly delightful as Princess Ann from some unspecified Ruritanian country (she’s convincly regal too, although she did have an aristocratic background, after all), and Gregory Peck being all solid and leading-man-like as American reporter Joe. They have an easy rapport as they spend the day together, which begins when he finds her the night before, curled up in the street sleeping, having snuck out of her comfy palatial digs, then makes the royal connection from a photo in the paper. I feel like most people probably already know this film far better than I, but suffice to say there’s a simple enjoyment to the everyday activities they cram in, going sightseeing, going out dancing, getting a haircut, and flirting. It’s a comfortable classic, and works well with the easy charisma of its stars and the photogenic quality of the setting.

Roman Holiday film posterCREDITS
Director William Wyler; Writers Ian McLellan Hunter and John Dighton [and Dalton Trumbo, uncredited]; Cinematographers Henri Alekan and Franz Planer; Starring Audrey Hepburn, Gregory Peck; Length 118 minutes.
Seen at home (DVD), London, Saturday 12 December 2015.