The full list of my favourite films of 2022 is here but I’m posting fuller reviews of my favourites. There aren’t too many animated films in there, because I don’t go to so many of those anymore, which it turns out is fine because Disney is barely making an effort to get them into cinemas, so most need to be watched via their streaming service. Hence this one, which I gave a shot to because it seemed to come from a more interesting perspective than fairytale princesses, and it is indeed very lovely.
It’s somewhat sad to me that Pixar films are so rarely nowadays shown in cinemas, because the attention to detail in the design and the animation that shows in films like this, or the previous year’s Soul, deserve the big screen but instead we have to subscribe to Disney+, which somehow lessens them. It also leads to factoids like it being the biggest money loser for a cinematic release (even though I’m fairly certain it was barely placed in any cinemas worldwide).
However, Turning Red still strikes me as one of the better recent crop of animated films, which both tells a discernable story from a specific perspective (a young girl from a Chinese background growing up in Toronto, voiced by Rosalie Chiang), but makes it both metaphorically rich and also cartoonishly cute at the same time. A lot of elements feel familiar from any coming of age/high school American movie, with its cliques of friends and confected schoolyard drama, but there’s a real strength to its focus on the setting, the details of the family temple such that even the supernatural plot twist (and I think the posters and marketing make it fairly clear that a large anthropomorphic red panda is involved) feels grounded in an authentic expression of familial ties and Chinese-Canadian culture.
Director Domee Shi 石之予; Writers Julia Cho, Shi and Sarah Streicher; Cinematographers Mahyar Abousaeedi and Jonathan Pytko; Starring Rosalie Chiang, Sandra Oh 오미주, Maitreyi Ramakrishnan, Ava Morse, James Hong 吳漢章; Length 100 minutes.
Seen at home (Disney+ streaming), Wellington, 2 July 2022.