An extensive and sprawling documentary about John Cassavetes, though really just about his films and filmmaking (there’s an all-too-brief mention of the cirrhosis that killed him in the end, but very few other personal details are offered). Indeed, much of the documentary focuses on clips from the five films in the Criterion box set, which I can only assume is due to rights issues (there’s a lot that’s great about Minnie and Moskowitz, and I’d have liked to have heard more about the studio movies or his last films in the 1980s), but all the same it does a good job of laying out his philosophy and practice. The structure appears to be along fairly oblique lines, cued up by somewhat pretentious quotes, and finished with a bit of verse, but it’s making for a case for Cassavetes as something quite unlike the ordinary run of American directors, which is understandable, though beyond these little flourishes it never really manages to be as distinctive as the films it’s about. Obviously, at over three hours it could have been a bit tighter, and it’s solidly conventional in form, with a range of talking heads and clips, but it’s nice to hear from his frequent collaborators (plus a few academics, including the ubiquitous-when-it-comes-to-Cassavetes Ray Carney).
- The original DVD of this had some poster galleries, but the Blu-ray edition added those images to the separate films, and relegated this entire documentary to the supplements on the Shadows disc, so despite having its own spine number, it no longer really has a separate identity as a film within the Collection.
FILM REVIEW: Criterion Collection
Director/Writer Charles Kiselyak; Starring John Cassavetes, Gena Rowlands, Peter Falk, Ben Gazzara, Seymour Cassel, Lynn Carlin, Lelia Goldoni, Carol Kane, Sean Penn, Peter Bogdanovich, Jon Voight, Al Ruban, John Sayles; Length 200 minutes.
Seen at Paramount, Wellington, Tuesday 26 March 2002 (and most recently on Blu-ray at home, London, Thursday 18 July 2019).