I like beer, it must be said, and I like the new wave of craft breweries in the States (and here in the UK) that have sprung up over the last decade. It’s almost certainly to this film’s benefit that it doesn’t spend too much time actually talking about beer (aside from a few establishing shots of brewing taking place, there’s no in-depth discussions of hops, malts or mouthfeel), but the characters certainly do drink plenty of it. You might posit that it’s because of the relationship dramas occurring in their lives, but really it’s probably because, well, you know, beer is nice.
Given the central characters work at a craft brewery (or a microbrewery, as it once might have been called), the film sets itself very much in a gentrifying inner-city world where men wear beards and trucker caps, where young people hang out in bars which have a studiedly old-fashioned vibe, go hiking in the wilderness, play music from vinyl records, and, of course, drink beer just so long as it’s not mass-produced lager. In this respect, the poster is somewhat misleading, since you’d hardly recognise one of the film’s leads, Luke (played by Jake Johnson, second from right in the poster), who sports a slightly unkempt thick beard throughout the film.
The film’s real central character, though, is Kate (Olivia Wilde), who works in a marketing capacity at the brewery. She and Luke flirt throughout their working day, but each has a stable (if rather more straight-laced) partner that they live with. Kate is with the humourless Chris (Ron Livingston), while Luke is engaged to the serious-minded Jill (Anna Kendrick). After the two couples have returned from a holiday together at a rural cabin owned by Kate’s partner Chris, the latter break up, leading Luke to start wondering if he has deeper feelings towards Kate. One suspects at this early point that the film is heading towards partner-swapping territory, given that Chris and Jill also seem to hit it off quite well. However, nothing is quite so programmatic, and it ends up being quite a bit more subtle than the set-up initially suggests.
Of course, this kind of small indie interpersonal drama is hardly the stuff to break any cinematic moulds. Stylistically, it sets itself apart from earlier films in the same vein (like Swanberg’s Hannah Takes the Stairs) thanks to some expert lensing courtesy of cinematographer Ben Richardson, with cleanly-framed images taking their cue from the metallic sterility of the brewery and the modernism of Chris’s swanky apartment. Yet the key to any such enterprise is the quality of the ensemble cast, and in this case the four actors gel together really very well. Kendrick and Livingston are rather less showy in their smaller roles, given that their characters are written to be somewhat pedestrian, but Johnson nicely conveys his character’s charming goofiness with a very subtly combative edge. Best of all is Wilde, who holds the film together with a low-key improvisational acuity, avoiding the pitfalls of the ‘strong, free-spirited single woman’ clichés. On the part of the whole cast, it has to be said there’s a lot of drunk acting required, and none of this comes across as forced or embarrassing in the way these things sometimes can; there’s also thankfully no sententious moralising either.
What results is a very focused little drama that feels like it’s dealing with people I know (or have been) in recognisable situations. It’s very careful not to push the revelations too hard or wring them out for melodramatic purposes, finding an ending that feels organic to the characters without closing off anything too neatly. And that kind of thing is, for me, always refreshing to watch. Somewhat like beer is to drink, so I’m going to stop now and think about that for a while instead.
Director/Writer Joe Swanberg; Cinematographer Ben Richardson; Starring Olivia Wilde, Jake Johnson, Anna Kendrick; Length 90 minutes.
Seen at Cineworld Enfield, London, Wednesday 6 November 2013.