Another of those films I first saw back in the 90s and enjoyed at the time, as it fit into that dark satirical space where you could laugh at the mind-blowing conceit of it all — documentarians cross the line into complicity with their (murderous) subject in what is presented as a documentary. Oh how we loved the ‘mockumentary’ that decade. So meta! So intelligently mocking! Well, anyway, I’m not sure it holds up, and I don’t think it’s just because I’m not on the wavelength of Belgian humour. I’m not in my 20s anymore is the key I think; I’m not so willing to laugh at rape and murder, however absurd, however ironically distanced. I don’t judge those who do, and I don’t think I’m better than any, it just doesn’t tickle me in quite the same way. It doesn’t help too that the pseudo-documentary style has become so familiar in intervening years. That all said, given the low budget, it’s made with a lot of style, and the performances are all solid. There are even some really good gags. I just find its satirical intent is clear within 10 minutes so the rest is largely padding.
Criterion Extras: Chief among the extras is the student short by the filmmakers with a similar low-budget style, Pas de C4 pour Daniel-Daniel (No C4 for Daniel-Daniel, 1987), styled as an extended trailer for an action movie, replete with all the hoary clichés of that genre. It’s fitfully amusing but maybe Belgian humour just goes above my head, or maybe their satire (which involves a blackface character as a manservant) is too subtle. There’s also a video interview with the filmmakers upon the feature film’s release, in which they goof around, and also a small gallery of stills from the production.
FILM REVIEW: Criterion Collection
Directors Rémy Belvaux, André Bonzel and Benoît Poelvoorde; Writers Belvaux, Bonzel, Poelvoorde and Vincent Tavier; Cinematographer Bonzel; Starring Benoît Poelvoorde, Rémy Belvaux; Length 95 minutes.
Seen at a friend’s house (DVD), London, Sunday 16 July 2017 (and years earlier on VHS in Wellington).