There have been women making films since even the start of cinema, as evidenced by the new documentary about French pioneer Alice Guy-Blaché, and this documentary takes a personal look at an important indigenous New Zealand woman filmmaker who isn’t perhaps as well known as she should be.
I’m rather surprised this gained a release (however small) in the UK, given that it’s hardly likely many people in this country have access to have seen Merata Mita’s work. I studied film when growing up in Wellington, so I’d seen her key works: Patu! (1983), a documentary about the 1981 Springbok rugby tour in the face of anti-apartheid protestors; and Mauri (1988), an evocation of small town Maori life. We get clips of those works here, contextualised within her career, but most fascinating is the figure she cuts: from being a working mum — a teacher in a small town bringing up several kids from a couple of unpromising husbands — to getting into film almost by accident, as a byproduct of her own outspokenness on social issues (which within the context of conservative New Zealand society of the time, made her something of an activist). Her earliest screen appearance is speaking out about an abortion in the late-70s, and from there she went on to make several short films which culminated in the work on Patu! But throughout her career, in the clips marshalled here by her son Heperi (an archivist, who also narrates the film), we see the way she confronted the kind of changes she wanted to see in NZ society and the actions she took to achieve them. Later in her life, she advocated around the world on behalf of indigenous filmmakers, living in Hawaii and working extensively among First Nations peoples in the US and Canada. Hers is an inspiring story, and despite its framing as a family documentary, her voice and work on decolonisation and the representation of indigenous narratives is wonderful to see.
Director Heperi Mita; Cinematographer Mike Jonathan; Length 89 minutes.
Seen at Curzon Bloomsbury (Bertha DocHouse), London, Tuesday 7 May 2019.