All of a sudden the Criterion Collection seemed to become interested in 1930s screwball comedy with a number of fine Preston Sturges films, and alongside them this example from director Gregory La Cava, a somewhat underrated director responsible for the very odd Gabriel Over the White House (1933). His political viewpoint seems to come from FDR’s New Deal following the Depression, and there are fascinating ideological contortions at work, as an initial setup criticising the way capitalism reifies and recycles human beings ultimately gives way to a upper-class family-based knockabout comedy. The operation of class in the USA is always there in the background, even if it’s never clearer than in the opening sequence, as the imperious socialite Cornelia (Gail Patrick) and her ditzier sister Irene (Carole Lombard), both from a wealthy family, visit a bridge to grab a homeless man, Godfrey (William Powell). This is all in pursuit of a game they’re playing with their aristocratic friends, whereby they get points for parading him as a prize. Yet Godfrey turns out to be a quick wit and scrubs up nicely, so Irene hires him as the family’s butler, promptly falling in love with him too. That’s largely how things proceed, as further reversals of fortune take place, and it becomes apparent that Godfrey is not what he initially seemed. Still, it’s all great fun, and Powell is a compelling screen presence.
FILM REVIEW: Criterion Collection
Director Gregory La Cava | Writers Eric Hatch and Morrie Ryskind (based on Hatch’s novel 1101 Park Avenue) | Cinematographer Ted Tetzlaff | Starring William Powell, Carole Lombard, Gail Patrick, Eugene Pallette, Alice Brady | Length 92 minutes || Seen at a friend’s home (DVD), London, Friday 19 August 2016