Finally, the review I’m sure you’ve all been waiting for, as undoubtedly you’ve all been hanging back, waiting cautiously about whether to see this film on the basis of my verdict. Well, I can unequivocally state that if you are fond of George Lucas’s original trilogy, then you’ll enjoy this new instalment from the auteur behind Star Trek Into Darkness, whereas if you are at best ambivalent about his franchise’s politically retrogressive and genocidally destructive worldview, then… it’s probably not for you? On the plus side is the welcome focus on three new and diverse young protagonists — Daisy Ridley’s Rey, John Boyega’s Finn, and Oscar Isaac’s Poe. There are some heartwarming reappearances by original cast members, and there are more silly chirruping droids. Plotwise, it feels of a piece with the original film, but the spoiler police are out in force on this one, so I’m not going to go into detail and, frankly, I’m not even sure I could. Suffice to say I laughed at a joke about the Force, and in general there’s a good sense of bonhomie amid the good-vs-evil derring-do.
NEW RELEASE FILM REVIEW Director J.J. Abrams | Writers Lawrence Kasdan, J.J. Abrams and Michael Arndt | Cinematographer Dan Mindel | Starring Daisy Ridley, John Boyega, Harrison Ford, Adam Driver, Oscar Isaac, Carrie Fisher | Length 135 minutes || Seen at Odeon Holloway, London, Sunday 20 December 2015
FILM REVIEW || Seen at home (Blu-ray), London, Wednesday 25 December 2013 (also years ago on VHS) || My Rating good
I’d like to tell you that this romantic comedy from the pen of Nora Ephron, which is coming up on its 25th anniversary, hasn’t dated at all, but I can’t tell you that. There are few scenes featuring either Billy Crystal or Meg Ryan (you can figure out their characters’ names, I’m sure) which do not provoke some gasp of incredulity at the 1980s fashion and hairstyles. Thankfully, though, the comedy set-up at the film’s heart is rather more resilient (using the time-honoured structuring motif of will-they-won’t-they antagonism and resolution) and, by the end, even the most ridiculous feathered hairstyle or cropped shorts cannot distract from the romance. Partly that’s on account of Nora Ephron, whose touch here is so central to the film’s success. Ephron went on to helm her own comedies in the 1990s, yet although this is directed by the workmanlike Rob Reiner, her writing style is all over it, channelling the shmaltz and brazen sentimentality of similar films from the Golden Era of Hollywood (the 1940s and 1950s) via the neuroses of latter-day New York bard Woody Allen. I daresay for some this would be enough to write off her own efforts in a mire of gloop, but I feel like her work is deft enough to avoid these pitfalls. There’s certainly a rather brittle framing device, using interviews with apparently real New York couples from an older generation, who comment on what it is to be in love. However, it’s easy enough to instead focus on the central story, and at that Billy Crystal and Meg Ryan do very well, the latter well enough to basically keep her in this kind of territory for most of the following decade (my favourite of the Ryan-Ephron cycle remains 1998’s You’ve Got Mail, for what little it’s worth). It may not be a masterpiece, but it sums up something about the 1980s, and it’s all rather pleasant nonetheless.
CREDITS || Director Rob Reiner | Writer Nora Ephron | Cinematographer Barry Sonnenfeld | Starring Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby | Length 92 minutes