Another filmmaker working in the same vein of improv and talky comedy-drama as Lynn Shelton and the “mumblecore” scene is Kris Rey (née Williams), credited at the time of this, her third film, as Kris Swanberg, given she was married at that time to Joe. I think it’s fair to say she has her own sensibilities, of course, which find good expression in this solidly-wrought and well-acted small ensemble piece.
I wonder if maybe the title is a joke, because really there’s nothing particularly surprising that happens here, but maybe I’m just becoming used to Cobie Smulders appearing in this kind of low-stakes gently-twee American indie/improv film (she was in Andrew Bujalski’s Results the same year, as well). That said, focusing on a pregnancy isn’t all that common a theme — outside jokey Knocked Up-type films about loser dads — and everyone does a good job. Smulders is a teacher, while Anders Holm has another of those smugly infuriating nice guy roles as her husband (he had a similar role in The Intern, again made the same year). The film loops in class concerns by having a parallel story of one of her black school students (Gail Bean) who’s in the same situation, though without Smulders’ race- and class-based privileges that she is entirely unaware of, and that’s really what the film is interested in exploring. It may not be challenging, but it’s sweet and pleasantly undemonstrative and after some of her former-partner’s works that can definitely be a very good thing.
Director Kris Rey [as Kris Swanberg]; Writers Megan Mercier and Rey; Cinematographer Dagmar Weaver-Madsen; Starring Cobie Smulders, Gail Bean, Anders Holm, Elizabeth McGovern; Length 90 minutes.
Seen at home (Netflix streaming), London, Thursday 15 September 2016.