After Great Expectations of a few years earlier (reviewed last week), comes another David Lean adaptation from the works of Charles Dickens and it is far superior. Guy Green outdoes his earlier cinematographic efforts with vast inky pools of blackness from which characters emerge into a shadowy, grey lost world, immured deep in England’s memory, as orphan Oliver is born at a workhouse to a mysterious woman who dies in childbirth, and inducted into a life of poverty and hard grind. It all resolves itself neatly by the end, but it’s given vivacity by the acting, particularly Robert Newton as a frantic Bill Sikes, Kay Walsh as his moll girlfriend, and of course the young John Howard Davies as Oliver. Nowadays the film is most known for Alec Guinness’s creepy comedic turn as Fagin, though I feel Criterion’s liner notes suggesting it’s not anti-semitic because he’s never called a Jew within the film is somewhat disingenuous: it’s clearly a caricature and a fairly unflattering one at that. Still, Fagin is a fairly small element within the whole film, which remains impressive most of all for its beautifully filmed vision of a world that must have felt within reach in 1948 given the ravages of the era in which it was made.
Criterion Extras: Aside from those liner notes, there’s just a trailer and English subtitles, so this is a bare bones package.
FILM REVIEW: Criterion Collection Director David Lean | Writers David Lean and Stanley Haynes (based on the novel by Charles Dickens) | Cinematographer Guy Green | Starring John Howard Davies, Kay Walsh, Alec Guinness, Robert Newton | Length 116 minutes || Seen at home (DVD), London, Sunday 5 July 2015
A handsomely-mounted prestige production from a famous literary work, there’s probably nothing particularly revolutionary in David Lean’s Dickens adaptation, but it’s still a pleasant two hours’ viewing. The central role of Pip is played by John Mills, an actor already far too old to convince as a twenty-something, though he captures a certain wide-eyed naïveté. Much better is Alec Guinness as his fey living companion Herbert. Valerie Hobson rounds out the main cast as the stand-offish object of Pip’s affections, Estella, tutored by the fusty Victorian spinster Miss Havisham (Martita Hunt). There’s some good use of contrast and shadows in the black-and-white cinematography (though this was pushed further in his second Dickens film of Oliver Twist).
FILM REVIEW: Criterion Collection Director David Lean | Writers David Lean, Ronald Neame and Anthony Havelock-Allan (based on the novel by Charles Dickens) | Cinematographer Guy Green | Starring John Mills, Valerie Hobson, Alec Guinness, Martita Hunt | Length 113 minutes || Seen at a friend’s home (DVD), London, Sunday 5 April 2015
NEW RELEASE FILM REVIEW || Director Ralph Fiennes | Writer Abi Morgan (based on The Invisible Woman: The Story of Nelly Ternan and Charles Dickens by Claire Tomalin) | Cinematographer Rob Hardy | Starring Felicity Jones, Ralph Fiennes, Kristin Scott Thomas, Tom Hollander | Length 111 minutes | Seen at Cineworld West India Quay, London, Tuesday 11 February 2014 || My Rating good
It’s that time of year when the cinemas screen a lot of serious films by serious directors looking for awards recognition, so I’ve seen quite a few of them, and may be suffering from fatigue. I think this sophomore effort by renowned English actor Ralph Fiennes is far from being dull, but it trades in a soft, underplayed sensitivity that perhaps isn’t really in vogue right now. It tells the late-19th century story of a famous author, Charles Dickens, and his affair with a younger woman, actor Nelly Ternan, but in a way that really de-emphasises the sex and salaciousness. One might uncharitably say it’s replaced that with some lovely, detailed period costumes and other such details, but there’s still plenty of emotional heft.