Three Films by Mina Shum with Sandra Oh

My Asian diaspora film week is drawing to a close and I just belatedly remembered the films of Mina Shum, her three most well known of which I only recently caught up with. Although born in Hong Kong, she has lived and worked in Canada almost her whole life, and resists the “Chinese-Canadian director” label, which is quite understandable. Obviously I wish that my little themed week were able to present with more rigour all the different ways it’s possible to work and present identity, but really it’s just a bunch of films I quite like that are made by or deal with ideas of being identified as Asian outside of that part of the world. In several of Shum’s films, and all the ones here, one for the last three decades, she’s worked notably with Canadian actor Sandra Oh, who’s been having something of a career lift recently, though she’s been doing great work in films for years (I’ve reviewed 1998’s Last Night on my blog already, for example).

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