LFF: 3 cœurs (Three Hearts, 2014)

BFI London Film Festival FILM FESTIVAL FILM REVIEW: London Film Festival || Seen at Odeon West End, London, Saturday 19 October 2014 || My Rating 3 stars good


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There’s a certain kind of French film, like this one, which has a light and frothy quality to it — all well-heeled middle-class houses and high society fashion worn by venerable actors at the top of their game (including Catherine Deneuve) — while nevertheless trying to pick away at something hidden under that luxe surface. Here we get the story of a civil service accountant Marc (Belgian actor Benoît Poelvoorde) who finds himself doing an audit in a provincial town, where he bumps into Sylvie (Charlotte Gainsbourg) and they have a one-night stand. They agree to meet again in Paris, but he misses the appointment and doesn’t have any details for her. Some time later he returns to the small town, where he meets Sophie (Chiara Mastroianni) and strikes up a romance with her. She, of course, and unbeknown to him, turns out to be Sylvie’s sister. There’s a well-worn pleasure in the way things progress from here, ever reliant on some rather stretched plotting, but you get the sense that the filmmaker’s interest is in the way this conventionally-boring man can inveigle his way into the lives of others and upset their carefully-ordered world. There’s a recurring musical motif in the soundtrack that suggests the intended tone is more horror film or dark, psychological thriller than comedy, but if so, it’s a peculiar form of middle-class domestic horror. I’d perhaps have had more time for it if Poelvoorde was more convincing as the buttoned-up lothario character; I never really believed that these women would fall for him in the way they did. That said, it’s all perfectly enjoyable fluff that, unlike its central character, doesn’t outstay its welcome.


CREDITS || Director Benoît Jacquot | Writers Julien Boivent and Benoît Jacquot | Cinematographer Julien Hirsch | Starring Benoît Poelvoorde, Charlotte Gainsbourg, Chiara Mastroianni, Catherine Deneuve | Length 106 minutes

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Les Salauds (Bastards, 2013)

Films About FilmmakingIt may be that I’m rather shoehorning this new Claire Denis film into my themed month. It’s certainly not about filmmakers in a traditional sense, but there’s an element of it that recalls, say, Michael Powell’s Peeping Tom in dealing with a nasty fringe of exploitational filmmaking, not intended for public consumption.


ADVANCE SCREENING FILM REVIEW || Director Claire Denis | Writers Jean-Pol Fargeau and Claire Denis | Cinematographer Agnès Godard | Starring Vincent Lindon, Chiara Mastroianni, Lola Créton, Michel Subor | Length 100 minutes | Seen at Hackney Picturehouse, London, Wednesday 5 February 2014 || My Rating 3.5 stars very good


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At some level this new film by French director Claire Denis is an hommage to film noir, that famous Hollywood style of filming crime dramas in the 1940s and 1950s which emphasised the characters’ sexuality just as it muddied its contrasty black-and-white filming with shades of moral grey. Bastards is not filmed in monochrome, but there’s plenty of darkness through which the characters drag themselves, as if hinting at barely-suppressed pools of torment. There’s a crime at its heart, too, but that takes some time to come to light. It also touches on themes familiar from Denis’ other films, a compact yet wonderful body of work of which this is a further facet.

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