Like any town with more than a handful of cinemas (though barely more than a handful), there are a range of smaller film festivals being organised to show films that otherwise wouldn’t make it to a big screen, and such is the way in Wellington, where recently there was a French Film Festival. It showed a handful of classics (like Breathless) but most of the programme was dedicated to recent films, and I saw a few so that’s what I’ll be focusing on this week. I’ll start with the latest film de Anne Fontaine, the Luxembourger who’s not my favourite filmmaker but who does solid work.
This film is called Police in the original, but the title is shown reflected from right to left, and that very much cues you up to what to expect: it’s about the police, sure, but… are they the good guys? The title is a bold move, though, given there’s a Pialat film of the same name, and, look, I’ve been guilty in the past of seeing that Anne Fontaine directorial credit and being a bit dismissive, but I’ve never really hated any of her films I’ve seen (even Adore aka Perfect Mothers), and I appreciate her spin on fairly well-worn tropes, even if ultimately it all ends up feeling just a little… off somehow. Still, she’s assembled a fine cast of big names. Efira! Sy! Another couple of guys, who feel pretty honest to their characters, and she’s telling a story of morality intersecting with one’s work. It goes where it goes, and it doesn’t explain everything for the viewer; certain outcomes are hinted at, but there’s no expectation of change and I’m not sure Fontaine is even trying to redeem these guys, just give some perspective. I’m not suddenly, as a result, going to start loving cops as film subjects, but this feels like solid character work.
Director Anne Fontaine; Writers Claire Barré and Fontaine (based on the novel by Hugo Boris); Cinematographer Yves Angelo; Starring Virginie Efira, Omar Sy, Gregory Gadebois; Length 98 minutes.
Seen at Light House Cuba, Wellington, Wednesday 16 June 2021.