Certainly Hendrix had one of the stand-out sets at the 1967 Monterey Pop festival, so the single song he was allotted in the feature film released at the time (Monterey Pop) is expanded in Jimi Plays Monterey with what I presume is his full set, and released some years later in 1986. Most performers at the festival weren’t allowed more than about 20-30 minutes it seems, hence even the extended set’s somewhat abbreviated running time. That said, Hendrix packs a lot in, and while how he ended his set remains one of the iconic images of his short life — conjuring his fingers over a burning guitar — there’s plenty of other stuff to enjoy here, reminding me of how good he was when covering others’ songs.
Unlike the above pendant shorter film released more or less contemporaneously with this one, Shake! Otis at Monterey presents a musician’s set without contextualisation or narration (which for the Jimi film was provided by festival co-organiser, John Phillips). In this case it’s Otis Redding and one feels, given his demise very shortly after this was filmed (within six months), that a lot more context could have been given to his short but mercurial career. Luckily the music is riveting and Redding is an excellent performer, his backing band(s) among the tightest in the business. It’s only a shame he didn’t get more time, but what’s here, for 19 fascinating minutes, is great.
FILM REVIEW: Criterion Collection
Directors D.A. Pennebaker and Chris Hegedus | Cinematographers Nick Doob, Barry Feinstein, Richard Leacock, Albert Maysles, Roger Murphy, D.A. Pennebaker and Nicholas T. Proferes | Length 63 minutes || Seen at a friend’s home (DVD), London, Sunday 24 September 2017