Herewith some brief thoughts about films I saw in February which I didn’t review in full.
Big Hero 6 (2014, USA) Bride of Frankenstein (1935, USA) Kawachi Karumen (Carmen from Kawachi) (1966, Japan) Killer Klowns from Outer Space (1988, USA) Lifeforce (1985, USA) Lovelace (2013, USA) La Reine Margot (1994, France/Italy) The Selfish Giant (2013, UK) Somersault (2004, Australia) Stop Making Sense (1984, USA)
FILM REVIEW || Seen at home (Blu-ray), London, Saturday 7 June 2014 || My Rating very good
I recently watched the 1987 film Rita, Sue and Bob Too, because I’m a huge fan of director Alan Clarke and had somehow never got around to it, despite it possibly being his most successful film commercially. It’s billed as a comedy, but it feels of a piece with his other films, which often deal with the violence and degradation inherent in state-sponsored systems of control. The nominal plot involves two teenage girls in Bradford (to the north of England) having a fling with an older married man, but really it’s about the way that working class lives are affected by living on a vast council estate, socially engineered (it seems) to entrap its undervalued residents. While watching it, I flicked over to Wikipedia, as you do, to read up on the film’s background, and there came across the page for Andrea Dunbar, its screenwriter and author of the original plays on which the film was based. Even in the broad strokes of this short entry, it makes for unhappy reading. Dunbar died only a few years after the film, at the age of 29, while her heroin-addicted daughter Lorraine was later imprisoned at much the same age for causing the death of her baby. It’s these events which form the basis of Clio Barnard’s The Arbor, an experimental blend of documentary and staged scenes.