Criterion Sunday 224: Pickup on South Street (1953)

Sam Fuller had made a few movies by the time he made this, so he had started to hone his style a little, enough to make this fantastic, concise film noir about a man who pickpockets the wrong woman and finds himself mixed up with international espionage and Communist agents. The dialogue rattles off with all the appropriate relish, and it has a particularly great role for Thelma Ritter as an ageing stoolpigeon, sharing information to the highest bidder with a devil-may-care abandon — though even she has lines she won’t cross, and the Red Menace is one of them (well, it is a film from McCarthy’s 1950s, after all). Jean Peters is an actor who should have been in a lot more films, and the look of both her and the film is a constant delight, with the high-contrast monochrome photography affording the city a lustrous splendour.


FILM REVIEW: Criterion Collection
Director/Writer Samuel Fuller; Cinematographer Joseph MacDonald; Starring Richard Widmark, Jean Peters, Thelma Ritter; Length 80 minutes.

Seen at a friend’s home (DVD), London, Sunday 26 August 2018.

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Wałęsa: Człowiek z nadziei (Wałęsa: Man of Hope, 2013)


NEW RELEASE FILM REVIEW || Director Andrzej Wajda | Writer Janusz Głowacki | Cinematographer Paweł Edelman | Starring Robert Więckiewicz, Agnieszka Grochowska, Zbigniew Zamachowski | Length 124 minutes | Seen at Cineworld Edinburgh, Monday 21 October 2013 || My Rating 3.5 stars very good


© ITI Cinema

I’m not sure how many biopics there are about trade unionists, but I’m willing to bet there aren’t many. Then again, Poland’s Lech Wałęsa was a particularly famous one, one that even the increasingly conservative Western governments of the era could embrace, for he was a pivotal figure in the collapse of Eastern European Communism in the 1980s. He later became a prominent figure in the post-Communist Polish government, but this film is the story of his union days and ends triumphantly in Washington DC. It’s a film that to some extent deals with the movement he led, Solidarność (Solidarity), but mostly it’s about the man himself.

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