This seems a very slight premise — the volunteer firemen in a small town throw a ball to honour a former chairman stricken with cancer — but it builds to quite a comic evisceration of small-town bureaucracy, small-minded men or, perhaps, an entire dysfunctional government, if you want to follow it through that way. In any case, it builds plenty of gags on its thin premise, as things get ever more absurd and those red-faced old men are shown up for the ineffectively authoritarian fools they are.
FILM REVIEW: Criterion Collection Director Miloš Forman | Writers Miloš Forman, Ivan Passer and Jaroslav Papoušek | Cinematographer Miroslav Ondříček | Starring Jan Vostrcil | Length 71 minutes || Seen at a friend’s home (DVD), London, Sunday 19 February 2017
Ostensibly a film about, as the title suggests, a young blonde woman in love, there are a lot of turbulent emotional currents running through. Yes there’s love, but it’s never quite clear who feels love for whom, or whether that’s even something realistic. We start in a large group, as middle-aged soldiers court a small town’s young women — pathetically, at that. Then there’s a romantic pairing of two young people (including the title character, played by Hana Brejchová), then a section at his parents’ home which feels like a bitter rebuke to her (or to him) that things could ever work out. Or maybe they could, but no romantic feeling is uncomplicated or sentimentalised here.
FILM REVIEW: Criterion Collection Director Miloš Forman | Writers Miloš Forman and Jaroslav Papoušek | Cinematographer Miroslav Ondříček | Starring Hana Brejchová, Vladimír Pucholt | Length 90 minutes || Seen at a friend’s home (DVD), London, Sunday 19 February 2017
A simple film in many ways, it takes the form of a provincial sex comedy as a young man serving as a train station guard for reasons of avoiding doing any hard work tries but mostly fails to be more successful with women. But there’s also a war going on, and Czechoslovakia is controlled by the Nazis, so that becomes an increasingly important part of what the film is trying to do — equating, at some level, the coming of age story with the work of the resistance. In retrospect, it could hardly end any other way, and it’s reminiscent of the previous Criterion Collection film (The Shop on Main Street) in locating all the dramas and horrors of wartime life amongst everyday characters and in mundane situations. Also, there’s a memorable rubber stamping scene.
FILM REVIEW: Criterion Collection Director/Writer Jiří Menzel (based on the novel by Bohumil Hrabal) | Cinematographer Jaromír Šofr | Starring Václav Neckář, Josef Somr | Length 92 minutes || Seen at a friend’s home (DVD), London, Sunday 23 October 2016
When the fascists come they’ll offer to let you take back one of those jobs the immigrants have ‘stolen’ but you won’t have to hurt anyone so you’ll probably go along with it. It might even lead to a bit of cross-cultural comedy of misunderstandings but you just want everyone to be fine and for things to be better, and the fascists seem tolerable enough. One of them might even be a family member. But when the fascists start taking names, passing laws, and packing people on transports out of town, by then it’ll be too late and there’s really nothing you can do except get drunk and watch it all go to hell.
FILM REVIEW: Criterion Collection Directors Ján Kadár and Elmar Klos | Writers Ladislav Grosman, Ján Kadár and Elmar Klos (based on the novel by Grosman) | Cinematographer Vladimír Novotný | Starring Jozef Kroner, Ida Kamińska | Length 125 minutes || Seen at a friend’s home (DVD), London, Sunday 16 October 2016
Maybe I’m missing the emotionally devastating power of this film (or at least, that’s the kind of description I imagine was applied to it when it was first released), or perhaps it just doesn’t stand up over time particularly well, or maybe I’m the wrong generation to appreciate it properly. I really don’t know what explains it, but for me, this handsomely-mounted, big-budget Hollywood epic of the 1980s with some pretty big name stars (at least by today’s standards; Day-Lewis and Binoche were still early in their careers back then) doesn’t seem to connect with its characters. To an extent changes in filmmaking taste may be a factor: hearing these actors from a range of European countries (England, France and Sweden for the central trio) affect Czech accents can seem a little jarring to today’s tastes, perhaps. But there’s also a sort of studied artfulness to the sex scenes: it has an 18 certificate, but you wonder if it would still merit that nowadays. There’s nothing particularly explicit or shocking: Day-Lewis and Olin play characters who live bohemian lives (it is Prague, after all), whose sexual libertinism swiftly comes into conflict with the new Soviet-imposed Communist ideals, as the tanks roll in to crush their freedom. Still, as shot by Bergman’s frequent cinematographer Sven Nykvist, it is beautiful to look at — it’s difficult to imagine Prague or the Czech countryside being difficult to imbue with charm, but Nykvist succeeds admirably well. I haven’t read the novel, but one imagines the idea that life and sex are fleeting pleasures that must be embraced and enjoyed — seemingly the meaning of the ‘lightness’ in the title — may work work better on the page. Certainly there the characters benefit from not having belaboured accents, though I will at least own that we’d miss the shaggy charm of their dog, Karenin.
FILM REVIEW: Criterion Collection Director Philip Kaufman | Writers Jean-Claude Carrière and Philip Kaufman (based on the novel Nesnesitelná lehkost bytí by Milan Kundera) | Cinematographer Sven Nykvist | Starring Daniel Day-Lewis, Juliette Binoche, Lena Olin | Length 171 minutes || Seen at a friend’s home (DVD), London, Sunday 20 September 2015