Burnt (2015)

A friend enjoys food-related films, so what can I say, I went along to see Burnt despite its almost uniformly terrible reviews. Therefore my first observation is that the end product is nowhere near as bad as those suggest. Of course it’s still essentially that — Hollywood product, albeit set in London and ticking off a lot of the tourist views of that city — but it coasts by on the charisma of its lead actors, all of whose work I enjoyed even if they’re hardly stretching themselves. If it’s a “comedy”-drama, then the comedy is in the broad strokes; I wouldn’t call it laugh-out-loud funny or anything. It’s more of a character study of one borderline-unstable man trying to find himself by learning to work with and trust other people. The film’s greatest weakness then is undoubtedly in the screenplay. The characters are stock and overly familiar (Gordon Ramsay is an executive producer, and Bradley Cooper’s Adam Jones isn’t far from his own carefully-constructed and endlessly-repeated media stereotype of the highly-strung rebellious bad-boy chef). The exposition, too, is wretchedly clunky, with characters like Omar Sy’s sous-chef Michel expected to recount their past dealings with Adam when meeting him, so as to catch us all up (oh sure, Adam’s drink/drug-fuelled youth is called on as a reason why this is necessary, but it’s a thin veneer). There’s lots of tedious to-do about Michelin stars, which as someone who used to care about such things when eating out is boring enough (I’m so done with tasting menus by the by), but will surely be of less than no interest to the rest of us (Jon Favreau’s Chef dealt with street food last year, which may not have been any less predictable a script, but it was at least a more likeable milieu). Worst of all is Adam’s hackneyed character arc, plotted out with plodding predictability, as he learns to work with others, repair his relationships, learn to temper his controlling behaviour, blah blah blah. But it all looks very nice, the actors have an easy charm, and I quite like workplace dramas even if every plot point here is punctuated by food p0rn.


© The Weinstein Company

NEW RELEASE FILM REVIEW
Director John Wells | Writer Steven Knight (based on a story by Michael Kalesniko) | Cinematographer Adriano Goldman | Starring Bradley Cooper, Sienna Miller, Daniel Brühl, Omar Sy | Length 101 minutes || Seen at Cineworld Wood Green, London, Saturday 7 November 2015

Advertisements

Rush (2013)


NEW RELEASE FILM REVIEW || Director Ron Howard | Writer Peter Morgan | Cinematographer Anthony Dod Mantle | Starring Chris Hemsworth, Daniel Brühl, Alexandra Maria Lara, Olivia Wilde | Length 122 minutes | Seen at Cineworld Haymarket, London, Sunday 15 September 2013 || My Rating 3.5 stars very good


© Universal Pictures

Director Ron Howard has enjoyed a lot of mainstream success for his feature films over the past few decades, while screenwriter Peter Morgan has done plenty of good character work dealing with primarily British subjects. They collaborated a few years back on Frost/Nixon (2006), about the English broadcaster’s interviews with the disgraced American President, but this new film sees them dealing with a far more populist and entertaining subject, Formula 1 motor racing. And it is indeed very entertaining.

Continue reading “Rush (2013)”