Criterion Sunday 121: Billy Liar (1963)

Someone had clearly been watching those recent French New Wave films and taking cues from Godard and Truffaut. Specifically, director John Schlesinger, one imagines, and he does a British version very well here. Billy Fisher is a chronic dreamer (I can only imagine he was an inspiration for Wes Anderson’s own arch-fantasist Fischer) who just can’t be honest with anyone, least of all himself. It’s the 1960s and the film opens with a montage of modern housing estate developments; Billy lives in a northern city and works at a (literal?) dead-end job, not doing very well there. There’s an energy to Billy, as he bounces around the city from one failure to another, playing off his various fiancées, and enduring his parents’ scorn. There’s also a lovely role for Julie Christie, and while any character who has Julie Christie in love with him and doesn’t immediately ditch everything else to be with her is clearly a moron, Courtenay still manages to work up quite a bit of winsome charm. He’s still an idiot, though and his parents aren’t wrong.


FILM REVIEW: Criterion Collection
Director John Schlesinger | Writers Keith Waterhouse and Willis Hall (based on the novel by Waterhouse) | Cinematographer Denys Coop | Starring Tom Courtenay, Helen Fraser, Julie Christie | Length 98 minutes || Seen at a friend’s home (DVD), London, Sunday 25 September 2016