The Place Beyond the Pines (2013)


NEW RELEASE FILM REVIEW || Director Derek Cianfrance | Writers Derek Cianfrance, Ben Coccio and Darius Marder | Cinematographer Sean Bobbitt | Starring Ryan Gosling, Bradley Cooper, Eva Mendes, Ben Mendelsohn | Length 140 minutes | Seen at Cineworld Haymarket, London, Thursday 25 April 2013 || My Rating 3 stars good


© Focus Features

I get the feeling that this is a film that’s a bit in love with itself, though I do tend to get that feeling whenever a running time greatly exceeds two hours. Thankfully, the extra investment of time is largely borne out by what’s on screen, with a few caveats that made me feel if anything that maybe a bit of extra time was needed. Maybe it should have been a mini-series. But I’m getting ahead of myself.

The Place Beyond the Pines is a film of three distinct acts, the first two separated by a fairly short period of a year or two, the third taking place 15 years later. The central characters are Luke (played by Ryan Gosling) and Avery (played by Bradley Cooper), as well as their respective sons. Riding as a motorcycle stuntman in a travelling carnival show, Luke learns early on that he has a son with Romina (played by Eva Mendes), but when he tries to do what he thinks is the decent thing she resists his advances (she has already moved on), and he gets sucked into criminality. Avery enters the story later as a cop who gets mixed up in their relationship, and 15 years later their sons have to deal with the fallout. That’s really as much as I can say without giving away too much of the plot, but it’s essentially a ‘sins of the fathers’ scenario with added layers of class angst and existential yearning.

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