Well we seem to be getting closer, here in London, to the inevitable lockdown (perhaps by the time this goes up, it will have been announced), so my week themed around Netflix films wraps up with the most recent release, and if it’s not perhaps the best it’s still well worth watching if you’re a pop music fan or interested in fandom. I am sure we will all pull through this current period of intensive homeboundness but who knows how long it will last for. At the very least we can catch up with films we can watch at home, and that will no doubt be a great boon to all the streaming services, at the very least. I suspect we’ll see more of them on the blog in the coming weeks.
I think it’s fair to say that this ostensibly behind-the-scenes documentary — like everything that Taylor Swift does — is very carefully calculated, and you wouldn’t expect anything else really. For all that it feels shaped by the relentless pressures that are placed on Swift to be some kind of generational spokesperson or lightning road for fickle tabloid concerns — and the meeting she has with her people to discuss coming out with her political opinions during the 2018 midterm elections feels particularly orchestrated in that regard — it does shed plenty of light on the ways in which she is constrained by her peculiar position. In this, she channels a lot of her own self-discovery and you can see the more mature person she has become since being thrust into a media frenzy at such a young age. The most fascinating and interesting sections of the film are when she’s composing music, and just to see her work on a song, hammering away at a piano or plucking a guitar while working up melodies, or working with her producers in the studio, has its own lovely rhythms and provides a small insight into what gets her excited about her work. The rest, sadly, is largely about the way her life needs to fits with public and media expectations, though I continue to want to like Taylor Swift, so I felt warmly disposed towards this film.
Director Lana Wilson; Cinematographer Emily Topper; Starring Taylor Swift; Length 85 minutes.
Seen at home (Netflix streaming), London, Monday 3 February 2020.